Tuesday, 19 October 2021

Philippines scientists develop greener tech to produce bamboo fibres

🌱Philippines scientists develop greener tech to produce bamboo fibres:đŸŒŗđŸŒŗ

Scientists in Philippines have developed greener technologies to produce bamboo fibres which preserve the inherent antimicrobial and UV-blocking properties of bamboo. The currently used commercial process of converting bamboo into textile material is through cellulose regeneration which does not preserve the properties of bamboo textile fibres.
The technologies to create greener bamboo textile materials have been developed by Department of Science and Technology (DOST), through its Philippine Textile Research Institute (DOST-PTRI). Bamboo textiles are becoming increasingly popular as sustainable and eco-friendly solution for textile materials and manufacturing.

The DOST-PTRI Bamboo fibre extraction technology, for which application to protect intellectual property has been filed with the Intellectual Property Office of the Philippines (IPOPhil), was first developed in 2015. It includes mechanical, chemical, and biological processes to liberate fibres from the bamboo culm. The extracted bamboo textile fibre is treated to obtain highly cellulosic textile fibres.

The technology, applied on different bamboo species in the Philippines such as Kawayan Tinik (Bambusa blumeana), Bolo (Gigantochloa levis), Yellow Bamboo (Bambusa vulgaris), and Giant Bamboo (Dendrocalamus asper), produces strong and fine bamboo fibres.

Mild and eco-friendly technology coupled with the simplicity of the extraction and treatment technique makes it highly suitable for textile fibre processing in remote bamboo-rich local areas, bringing economic gains for the bamboo textile industry.

In the more popular commercial process of converting bamboo into textile material - cellulose regeneration - bamboo culms are broken down into chips, dissolved, and extruded through spinnerets to produce fine staples or filaments. In this synthetic technique, new fibre properties are introduced while the natural integrity of the bamboo textile fibres is not conserved. The process is also associated with production of toxic and hazardous substances.

This year, the Technical Working Group (TWG) of Republic Act 9242 or the Act Prescribing the Use of the Philippine Tropical Fabrics for Uniforms of Public Officials and Employees and for other Purpose, has included in the proposed revised Implementing Rules and Regulation (IRR), other natural textile fibres which include bamboo, to help widen the scope of textile fibre sources and promote employment generation in the countryside. This market represents 635,000 kg of treated bamboo fibre input material for the production of spun yarns that will meet just 25 per cent of the requirements for government uniforms.

āĻ‰ā§ŽāĻĒাāĻĻāύ āĻĒ্āϰāĻ•ৌāĻļāϞে āĻĻুāϰ্āĻŦāϞāϤা⧟ āĻšাāϤāĻ›া⧜া āĻšāϚ্āĻ›ে āĻ•্āϰ⧟াāĻĻেāĻļ

āĻ‰ā§ŽāĻĒাāĻĻāύ āĻĒ্āϰāĻ•ৌāĻļāϞে āĻĻুāϰ্āĻŦāϞāϤা⧟ āĻšাāϤāĻ›া⧜া āĻšāϚ্āĻ›ে āĻ•্āϰ⧟াāĻĻেāĻļ

āϜাāϰ্āĻŽাāύিāĻ­িāϤ্āϤিāĻ• āĻāĻ• āĻĒোāĻļাāĻ• āĻ•্āϰেāϤাāĻĒ্āϰāϤিāώ্āĻ াāύেāϰ āĻĒāĻŖ্āϝেāϰ āĻĒ্āϰāϧাāύ āĻ‰ā§ŽāϏ āĻ›িāϞ āĻŦাংāϞাāĻĻেāĻļ। āϏāϰ্āĻŦāĻļেāώ āϚāϞāϤি āĻŽৌāϏুāĻŽেāĻ“ āĻāĻ–াāύ āĻĨেāĻ•ে āĻŦেāĻļāĻ•িāĻ›ু āϚাāϞাāύ āύে⧟াāϰ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ›িāϞ āĻ“āχ āϜাāϰ্āĻŽাāύ āĻ•্āϰেāϤাāĻĒ্āϰāϤিāώ্āĻ াāύেāϰ। āĻ•িāύ্āϤু āĻ•্āϰেāϤাāĻĻেāϰ āϰুāϚি āĻŦāĻĻāϞেāϰ āĻ•াāϰāĻŖে āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āĻŦ⧜ āĻāĻ•āϟি āϚাāϞাāύেāϰ āĻĒāĻŖ্āϝ āύি⧟েāĻ›ে āĻĒ্āϰāϤিāώ্āĻ াāύāϟি। āĻĒāϰেāϰ āϚাāϞাāύāĻ—ুāϞো⧟ āύāϤুāύ āĻĄিāϜাāχāύেāϰ āĻĒāĻŖ্āϝ āĻĒ্āϰāϏ্āϤুāϤেāϰ āϜāύ্āϝ āĻĒ্āϰāϤিāώ্āĻ াāύāϟি āĻāĻ–াāύāĻ•াāϰ āĻāĻ• āĻ•াāϰāĻ–াāύাāϰ āϏāĻ™্āĻ—ে āϝোāĻ—াāϝোāĻ—āĻ“ āĻ•āϰেāĻ›িāϞ। āĻ•িāύ্āϤু āĻŦাংāϞাāĻĻেāĻļী āĻ•াāϰāĻ–াāύাāϰ āĻĒāĻ•্āώ āĻĨেāĻ•ে āϜাāύাāύো āĻšā§ŸেāĻ›ে, āĻ“āχ āύāĻ•āĻļা āĻ…āύুāϝা⧟ী āĻ•্āϰেāϤাāϰ āĻ•াāĻ›ে āϚাāϞাāύ āĻĒৌঁāĻ›াāϤে āϏāĻŽā§Ÿ āϞাāĻ—āĻŦে ⧝ā§Ļ āĻĻিāύেāϰāĻ“ āĻŦেāĻļি। āĻ āĻ…āĻŦāϏ্āĻĨা⧟ āĻ­ি⧟েāϤāύাāĻŽেāϰ āĻāĻ•āϟি āĻ•াāϰāĻ–াāύাāϰ āϏāĻ™্āĻ—ে āϝোāĻ—াāϝোāĻ— āĻ•āϰে āϜাāϰ্āĻŽাāύ āĻ•্āϰেāϤাāĻĒ্āϰāϤিāώ্āĻ াāύāϟি। āĻ­ি⧟েāϤāύাāĻŽি āĻ•াāϰāĻ–াāύা āĻ•āϰ্āϤৃāĻĒāĻ•্āώ āϜাāύি⧟েāĻ›ে, āĻ“āχ āĻĄিāϜাāχāύেāϰ āĻĒāĻŖ্āϝ āϏāϰāĻŦāϰাāĻšে āϤাāϰা āϏāĻŦ āĻŽিāϞি⧟ে āϏāĻŽā§Ÿ āύেāĻŦে ā§Ŧā§Ļ āĻĻিāύ। āĻĻ্āϰুāϤ āĻĒāĻŖ্āϝ āĻšাāϤে āĻĒাāĻ“ā§Ÿাāϰ āϤাāĻ—িāĻĻ āĻĨেāĻ•ে āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āĻ“āχ āĻ­ি⧟েāϤāύাāĻŽি āĻ•াāϰāĻ–াāύা⧟āχ āĻ•্āϰ⧟াāĻĻেāĻļ āĻĻি⧟ে āĻĻি⧟েāĻ›ে āĻĒ্āϰāϤিāώ্āĻ াāύāϟি।
āϏাāĻŽ্āĻĒ্āϰāϤিāĻ• āĻāĻ• āĻ—āĻŦেāώāĻŖা⧟ āĻĻেāĻ–া āĻ—ি⧟েāĻ›ে, āĻĒোāĻļাāĻ• āĻĒāĻŖ্āϝে āĻ•্āϰেāϤাāϰ āϚাāĻšিāĻĻাāĻŽāϤো āϞিāĻĄ āϟাāχāĻŽ (āϰāĻĢāϤাāύি āĻĒāĻŖ্āϝ āϏāϰāĻŦāϰাāĻšে āύে⧟া āϏāĻŽā§Ÿ) āĻ…āύুāϏāϰāĻŖ āĻ•āϰāϤে āĻĒাāϰāĻ›ে āύা āĻŦাংāϞাāĻĻেāĻļী āϰāĻĢāϤাāύিāĻ•াāϰāĻ• āĻ•াāϰāĻ–াāύাāĻ—ুāϞো। āĻ‰ā§ŽāĻĒাāĻĻāύ āĻĒ্āϰāĻ•ৌāĻļāϞে āϜোāϰ āĻĻে⧟াāϰ āĻĒāϰিāĻŦāϰ্āϤে āϏāύাāϤāύী āĻŦ্āϝāĻŦāϏ্āĻĨা āφঁāĻ•ā§œে āϧāϰে āĻĨাāĻ•াāϰ āĻ•াāϰāĻŖে āĻāϏāĻŦ āĻ•াāϰāĻ–াāύা āĻāĻ–āύ āĻĒ্āϰāϤিāϝোāĻ—ী āϏāĻ•্āώāĻŽāϤা āĻšাāϰাāϚ্āĻ›ে। āĻĒ্āϰāĻĨাāĻ—āϤ āĻŦ্āϝāĻŦāϏ্āĻĨা āφঁāĻ•ā§œে āĻĨাāĻ•া⧟ āĻ…āύুā§ŽāĻĒাāĻĻāύāĻļীāϞāĻ­াāĻŦে āϏāĻŽā§ŸāĻ•্āώেāĻĒāĻŖেāϰ āĻĒাāĻļাāĻĒাāĻļি āĻĒ্āϰāĻ•ৌāĻļāϞāĻ—āϤ āĻĒāϰিāĻ•āϞ্āĻĒāύা⧟āĻ“ āĻĨেāĻ•ে āϝাāϚ্āĻ›ে āĻ…āĻĻāĻ•্āώāϤাāϰ āĻ›াāĻĒ। āύāϤুāύ āĻāĻ•āϟি āĻĄিāϜাāχāύেāϰ āĻĒāĻŖ্āϝ āĻ‰ā§ŽāĻĒাāĻĻāύ āĻļুāϰুāϰ āφāĻ—ে āϏেāϟি āφāϤ্āĻŽāϏ্āĻĨ āĻ•āϰāϤে āĻ—ি⧟েāχ āĻ…āύেāĻ• āϏāĻŽā§ŸāĻ•্āώেāĻĒāĻŖ āĻšāϚ্āĻ›ে। āĻāϤে āĻ•āϰে āĻ•্āϰেāϤাāĻĒ্āϰāϤিāώ্āĻ াāύāĻ—ুāϞোāϰ āĻ•াāĻ›ে āĻĒāĻŖ্āϝāĻ“ āĻĒৌঁāĻ›াāϚ্āĻ›ে āĻ…āύেāĻ• āĻĻেāϰিāϤে।

āύ্āϝাāĻļāύাāϞ āχāύāϏ্āϟিāϟিāωāϟ āĻ…āĻŦ āϟেāĻ•্āϏāϟাāχāϞ āχāĻž্āϜিāύি⧟াāϰিং āĻ…্āϝাāύ্āĻĄ āϰিāϏাāϰ্āϚেāϰ (āĻāύāφāχāϟিāχāφāϰ) āĻāĻ• āĻļিāĻ•্āώāĻ•েāϰ āϏাāĻŽ্āĻĒ্āϰāϤিāĻ• āĻāĻ• āĻ—āĻŦেāώāĻŖা⧟ āĻŦিāώ⧟āϟি āωāĻ ে āĻāϏেāĻ›ে। āĻ—ুāĻŖāĻ—āϤ āĻ“ āĻĒāϰিāĻŽাāĻŖāĻ—āϤ āĻĒāĻĻ্āϧāϤি āĻ…āύুāϏāϰāĻŖেāϰ āĻŽাāϧ্āϝāĻŽে āĻ•āϰা āĻ“āχ āĻ—āĻŦেāώāĻŖা⧟ āĻĒাāĻ“ā§Ÿা āĻĢāϞাāĻĢāϞ āĻĒ্āϰāĻ•াāĻļ āĻšā§ŸেāĻ›ে ‘āĻ…্āϝাāύ āχāĻŽ্āĻĒেāϰিāĻ•াāϞ āϏ্āϟাāĻĄি āĻ…āύ āϞিāĻĄ āϟাāχāĻŽ āĻ…āĻŦ āϰেāĻĄিāĻŽেāĻĄ āĻ—াāϰ্āĻŽেāύ্āϟāϏ āχāύ āĻŦাংāϞাāĻĻেāĻļ’ āĻļীāϰ্āώāĻ• āĻāĻ• āĻĒ্āϰāϤিāĻŦেāĻĻāύে। āĻāĻ•্āώেāϤ্āϰে āφāĻ—েāĻ•াāϰ āϏংāĻļ্āϞিāώ্āϟ āĻāĻ•াāϧিāĻ• āĻ—āĻŦেāώāĻŖা āĻ›া⧜াāĻ“ āĻ–াāϤāϟিāϰ āĻ‰ā§ŽāĻĒাāĻĻāύ āϏংāĻļ্āϞিāώ্āϟāĻĻেāϰ āϏাāĻ•্āώাāϤ্āĻ•াāϰāĻ­িāϤ্āϤিāĻ• āĻŦাāϏ্āϤāĻŦ āĻ…āĻ­িāϜ্āĻžāϤাāĻ“ āĻŦিāĻļ্āϞেāώāĻŖ āĻ•āϰা āĻšā§ŸেāĻ›ে।

āĻāϤে āĻĻেāĻ–া āĻ—ি⧟েāĻ›ে, āĻ…āĻĻāĻ•্āώ āĻ•āϰ্āĻŽী, āĻ…āύুā§ŽāĻĒাāĻĻāύāĻļীāϞ āϏāĻŽā§Ÿ āĻŦা āĻ•ৌāĻļāϞāĻ—āϤ āĻĻুāϰ্āĻŦāϞ āϏিāĻĻ্āϧাāύ্āϤেāϰ āĻ•াāϰāĻŖে āĻĒāĻŖ্āϝেāϰ āĻ‰ā§ŽāĻĒাāĻĻāύ āĻĒāϰিāĻ•āϞ্āĻĒāύা⧟ āĻŦিāĻ­িāύ্āύ āϧাāĻĒে āύাāύা āϧāϰāύেāϰ āĻŦি⧜āĻŽ্āĻŦāύা⧟ āĻĒ⧜āϤে āĻšā§Ÿ। āĻĒ্āϰāĻĄাāĻ•āĻļāύ āϞাāχāύে āύি⧟োāϜিāϤ āĻ•āϰ্āĻŽীāϰা āĻĻāĻ•্āώāϤা āĻ…āϰ্āϜāύ āĻ•āϰেāύ āĻŽূāϞāϤ āύিāϜ āϚেāώ্āϟা āĻ“ āĻ…āĻ­িāϜ্āĻžāϤাāϰ (āϟ্āϰা⧟াāϞ āĻ…্āϝাāύ্āĻĄ āĻāϰāϰ āĻŦেāϏিāϏ) āĻ­িāϤ্āϤিāϤে। āφāĻŦাāϰ āĻ•āϰ্āĻŽীāĻĻেāϰ āϏāĻ™্āĻ—ে āϝোāĻ—াāϝোāĻ— āĻĻুāϰ্āĻŦāϞāϤাāϰ āĻ•াāϰāĻŖেāĻ“ āύাāύা āϏংāĻ•āϟ āϤৈāϰি āĻšā§Ÿ। āĻāĻ›া⧜া āĻŦ্āϝāĻŦāϏ্āĻĨাāĻĒāĻ• āĻ“ āĻĒāĻŖ্āϝ āĻ‰ā§ŽāĻĒাāĻĻāύāĻ•াāϰী āĻ•āϰ্āĻŽীāĻĻেāϰ āĻŽāϧ্āϝে āĻĒ্āϰāĻ•ৃāϤ āϤāĻĨ্āϝ āĻ­াāĻ—াāĻ­াāĻ—িāϤেāĻ“ āĻ•āϰে āĻāĻ• āϧāϰāύেāϰ āĻ…āύীāĻšা āϰ⧟েāĻ›ে। āĻ‰ā§ŽāĻĒাāĻĻāύে āĻĻāĻ•্āώ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ•āϰāϤে āύা āĻĒাāϰাāϰ āĻāϟিāĻ“ āĻāĻ•āϟি āĻ•াāϰāĻŖ।

āĻŦিāώ⧟āϟি āĻ…āϏ্āĻŦীāĻ•াāϰ āĻ•āϰāĻ›েāύ āύা āĻĒোāĻļাāĻ• āĻ–াāϤāϏংāĻļ্āϞিāώ্āϟāϰাāĻ“। āϤাāĻĻেāϰ āĻĻে⧟ āϤāĻĨ্āϝ āĻ…āύুāϝা⧟ী, āĻĻেāĻļে āϏāϰাāϏāϰি āϰāĻĢāϤাāύি āĻ•াāϰ্āϝāĻ•্āϰāĻŽে āϏāĻŽ্āĻĒৃāĻ•্āϤ āĻ•াāϰāĻ–াāύাāĻ—ুāϞোāϰ āĻŽāϧ্āϝে āĻļিāϞ্āĻĒ āĻŦা āĻ‰ā§ŽāĻĒাāĻĻāύ āĻĒ্āϰāĻ•ৌāĻļāϞেāϰ (āχāύ্āĻĄাāϏ্āϟ্āϰি⧟াāϞ āĻŦা āĻĒ্āϰāĻĄাāĻ•āĻļāύ āχāĻž্āϜিāύি⧟াāϰিং) āϧাāϰāĻŖাāϰ āĻĒ্āϰāĻ•ৃāϤ āĻŦাāϏ্āϤāĻŦা⧟āύ āĻ•āϰāĻ›ে āϏাāĻ•āϞ্āϝে ā§Ģā§Ļā§Ļ āĻ•াāϰāĻ–াāύা।

āϏংāĻļ্āϞিāώ্āϟāĻĻেāϰ āĻ­াāώ্āϝāĻŽāϤে, āϘāĻŖ্āϟা⧟ āϝে āĻĒāϰিāĻŽাāĻŖ āĻĒāĻŖ্āϝ āĻ‰ā§ŽāĻĒাāĻĻāύ āĻšāĻ“ā§Ÿাāϰ āĻ•āĻĨা, āϏে āĻĒāϰিāĻŽাāĻŖে āĻšāϚ্āĻ›ে āύা। āύি⧟োāĻ—েāϰ āϏāĻŽā§Ÿ āĻ•āϰ্āĻŽীāĻĻেāϰ āĻĻāĻ•্āώāϤা āĻĒāϰিāĻŽাāĻĒ āĻ•āϰাāϰ āϜāύ্āϝ āϤাāĻĻেāϰ āĻšাāϤে āύিāϰ্āĻĻিāώ্āϟ āĻāĻ•āϟি āϟি-āĻļাāϰ্āϟেāϰ āύāĻ•āĻļা āĻĻি⧟ে āϜাāύāϤে āϚাāĻ“ā§Ÿা āĻšā§Ÿ, āĻāϟি āϘāĻŖ্āϟা⧟ āĻ•āϤ āĻĒিāϏ āĻ‰ā§ŽāĻĒাāĻĻāύ āĻ•āϰা āϏāĻŽ্āĻ­āĻŦ āĻšāĻŦে? āĻāĻ•্āώেāϤ্āϰে āĻ•āϰ্āĻŽী āϝে āϏংāĻ–্āϝাāϰ āĻ•āĻĨা āĻŦāϞāĻ›েāύ, āϤা āϤিāύি āĻĒাāϰāĻ›েāύ āύা। āφāĻŦাāϰ āĻ•্āϰেāϤাāϰ āύāĻ•āĻļাāϰ āϧāϰāύāĻ“ āĻāĻ–āύ āĻ…āύেāĻ•। āĻ āĻĻুāχ āĻĒ্āϰেāĻ•্āώাāĻĒāϟেāχ āĻ‰ā§ŽāĻĒাāĻĻāύেāϰ āĻ—āϤি āĻ…āύেāĻ• āĻļ্āϞāĻĨ āĻšā§Ÿে āĻĒ⧜ে। āφāĻŦাāϰ āĻĻেāĻļে āϏāĻ•্āϰি⧟ āĻ•াāϰāĻ–াāύাāĻ—ুāϞোāϰ āĻŦ⧜ āĻ…ংāĻļেāχ āĻĒ্āϰāĻĄাāĻ•āĻļāύ āχāĻž্āϜিāύি⧟াāϰিং⧟েāϰ āϚāϰ্āϚা āύেāχ। āĻĢāϞে āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻĒāϰ্āϝা⧟েāχ āĻ…āĻĻāĻ•্āώāϤাāϰ āĻ…āύেāĻ• āĻ•্āώেāϤ্āϰ āϤৈāϰি āĻšā§Ÿ। āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āĻ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ…āĻĻāĻ•্āώāϤাāχ āĻ•্āϰেāϤাāϰ āϚাāĻšিāĻĻা āĻ…āύুāϝা⧟ী āϞিāĻĄ āϟাāχāĻŽ āĻŦāϜা⧟ āϰাāĻ–āϤে āύা āĻĒাāϰাāϰ āĻŦ⧜ āĻ•াāϰāĻŖ āĻšā§Ÿে āĻ“āĻ ে।

āĻŦিāώ⧟āϟিāϰ āϏāĻ™্āĻ—ে āĻāĻ•āĻŽāϤ āĻĒোāώāĻŖ āĻ•āϰে āĻŦাংāϞাāĻĻেāĻļ āύিāϟāĻ“ā§Ÿ্āϝাāϰ āĻŽ্āϝাāύুāĻĢ্āϝাāĻ•āϚাāϰাāϰ্āϏ āĻ…্āϝাāύ্āĻĄ āĻāĻ•্āϏāĻĒোāϰ্āϟাāϰ্āϏ āĻ…্āϝাāϏোāϏি⧟েāĻļāύেāϰ (āĻŦিāĻ•েāĻāĻŽāχāĻ) āύিāϰ্āĻŦাāĻšী āϏāĻ­াāĻĒāϤি āĻŽোāĻšাāĻŽ্āĻŽāĻĻ āĻšাāϤেāĻŽ āĻŦāĻŖিāĻ• āĻŦাāϰ্āϤাāĻ•ে āĻŦāϞেāύ, āφāĻ—ে āĻ‰ā§ŽāĻĒাāĻĻāύ āĻĒ্āϰāĻ•ৌāĻļāϞ āĻŦা āĻĒ্āϰāĻĄাāĻ•āĻļāύ āχāĻž্āϜিāύি⧟াāϰিং⧟েāϰ āϚāϰ্āϚা āĻĒোāĻļাāĻ• āĻļিāϞ্āĻĒেāϰ āĻ•াāϰāĻ–াāύা⧟ āĻ›িāϞ āύা। āĻāĻ–āύ āĻ āϧāϰāύেāϰ āĻ‰ā§ŽāĻĒাāĻĻāύāĻ—āϤ āĻĒ্āϰāĻ•ৌāĻļāϞে āĻĻāĻ•্āώ āϜāύāĻŦāϞ āύি⧟োāĻ— āĻĻে⧟া āĻšāϚ্āĻ›ে। āϤাāϰা āĻāĻ•āϟি āύāĻ•āĻļা āĻ•āϰে āĻŽেāĻļিāύে āĻ•ā§Ÿāϟা āϞে-āφāωāϟ āĻĻিāϤে āĻšāĻŦে, āĻ āϧāϰāύেāϰ āĻŦিāώ⧟āĻ—ুāϞো āϏুāύিāϰ্āĻĻিāώ্āϟ āĻ•āϰে āĻŦāϞāϤে āĻĒাāϰāĻ›ে। āϘāĻŖ্āϟা⧟ āĻŦা āĻŽিāύিāϟে āĻ•āϤāĻ–াāύি āĻ‰ā§ŽāĻĒাāĻĻāύ āϏāĻŽ্āĻ­āĻŦ, āϤা-āĻ“ āĻĒ্āϰাāĻ•্āĻ•āϞāύ āĻ•āϰāϤে āĻĒাāϰāĻ›ে। āĻāϏāĻŦেāϰ āĻĒāϰিāĻĒ্āϰেāĻ•্āώিāϤে āĻāĻ–āύ āĻĒ্āϰāĻĄাāĻ•āĻļāύ āϏাāϜাāύো āĻšāϚ্āĻ›ে। āϤāĻŦে āĻĒ্āϰāĻĄাāĻ•āĻļāύ āχāĻž্āϜিāύি⧟াāϰিং āϧাāϰāĻŖাāϟি āϏāϰ্āĻŦোāϚ্āϚ ā§Ģā§Ļā§Ļ āĻ•াāϰāĻ–াāύা⧟ āĻŦ্āϝāĻŦāĻšাāϰ āĻšāϚ্āĻ›ে। āĻļিāϞ্āĻĒেāϰ āϏāĻŦ āĻ•াāϰāĻ–াāύা⧟āχ āĻ āϚāϰ্āϚা āĻļুāϰু āĻšāϞে āĻ•্āϰেāϤাāϰ āĻ•াāĻ›ে āĻĒāĻŖ্āϝ āĻĒৌঁāĻ›াāϰ āϞিāĻĄ āϟাāχāĻŽ āφāϰো āĻ•āĻŽি⧟ে āφāύা āϏāĻŽ্āĻ­āĻŦ āĻšāĻŦে।

āĻ—āĻŦেāώāĻŖা⧟ āĻĻেāĻ–া āĻ—েāĻ›ে, āĻ•্āϰেāϤাāϰ āϚাāĻšিāĻĻা āĻ…āύুāϝা⧟ী āĻĒāĻŖ্āϝ āϜাāĻšাāϜীāĻ•āϰāĻŖ āĻĨেāĻ•ে āĻļুāϰু āĻ•āϰে āĻ•্āϰেāϤাāϰ āĻšাāϤে āĻĒৌঁāĻ›াāϰ āϞিāĻĄ āϟাāχāĻŽ āĻŦāϜা⧟ āϰাāĻ–āϤে āύা āĻĒাāϰাāϰ āĻĒ্āϰāĻĨāĻŽ āĻ•াāϰāĻŖāϟিāχ āĻšāϞো āĻĒāϰিāĻ•āϞ্āĻĒāύা⧟ āĻ…āĻĻāĻ•্āώāϤা। āĻĒোāĻļাāĻ• āĻĒāĻŖ্āϝেāϰ āύāĻŽুāύা āϤৈāϰিāϰ āĻĒāϰ্āϝা⧟ āĻĨেāĻ•েāχ āĻāϰ āϏূāϤ্āϰāĻĒাāϤ। āĻāϏāĻŦ āύāĻŽুāύা āϤৈāϰিāϤে āĻ•্āϰেāϤাāϰ āϚাāĻšিāĻĻা āĻŦোāĻাāϰ āĻ•্āώেāϤ্āϰেāĻ“ āĻĻুāϰ্āĻŦāϞ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ“ āĻŦোāĻাāĻĒ⧜াāϰ āϘাāϟāϤি āĻĻেāĻ–া āϝা⧟। āĻĢāϞে āύāĻŽুāύাāĻ—ুāϞোāĻ“ āĻāĻ•াāϧিāĻ•āĻŦাāϰ āĻŦাāϤিāϞ āĻšā§Ÿ। āĻāĻ•āχ āĻ•াāϰāĻŖে āφāĻŦাāϰ āύāĻŽুāύা āĻ…āύুāĻŽোāĻĻāύ āĻĒাāĻ“ā§Ÿাāϰ āĻĒāϰ āĻ‰ā§ŽāĻĒাāĻĻāύে āĻ—েāϞেāĻ“ āĻĒāĻŖ্āϝে āϤ্āϰুāϟিāϰ āĻŽাāϤ্āϰাāĻ“ āĻŦে⧜ে āϝা⧟। āϏāĻŦ āĻŽিāϞি⧟ে āĻŦাংāϞাāĻĻেāĻļেāϰ āĻĒোāĻļাāĻ• āĻļিāϞ্āĻĒেāϰ āĻ…āύেāĻ• āĻ•াāϰāĻ–াāύা⧟ āĻ‰ā§ŽāĻĒাāĻĻāύ āĻ•াāϰ্āϝāĻ•্āϰāĻŽ āĻļেāώ āĻ•āϰāϤে āĻ•োāύো āĻ•োāύো āĻ•্āώেāϤ্āϰে āϤিāύ āĻ—ুāĻŖ āĻŦেāĻļি āϏāĻŽā§Ÿ āϞেāĻ—ে āϝা⧟।

āĻ āĻŦিāώ⧟ে āĻĒোāĻļাāĻ• āĻĒāĻŖ্āϝ āĻĒ্āϰāϏ্āϤুāϤ āĻ“ āϰāĻĢāϤাāύিāĻ•াāϰāĻ•āĻĻেāϰ āϏংāĻ—āĻ āύ āĻŦিāϜিāĻāĻŽāχāĻ āϏāĻ­াāĻĒāϤি āĻĢাāϰুāĻ• āĻšাāϏাāύ āĻŦāĻŖিāĻ• āĻŦাāϰ্āϤাāĻ•ে āĻŦāϞেāύ, āχāύ্āĻĄাāϏ্āϟ্āϰি⧟াāϞ āχāĻž্āϜিāύি⧟াāϰিং⧟েāϰ āĻŽাāϧ্āϝāĻŽে āϞে-āφāωāϟ āĻ•āϰাāϰ āĻŽāϤো āĻŦিāώ⧟āĻ—ুāϞো⧟ āφāĻŽāϰা āĻāĻ–āύ āĻ…āύেāĻ• āĻŽāύোāϝোāĻ—ী। āĻāĻ•āϟা āϏāĻŽā§Ÿ āĻāĻ•্āώেāϤ্āϰে āϞাāĻ—āĻ›ে āĻāϟা āĻ িāĻ•। āĻāϟা āφāϰো āĻ•āĻŽাāύো āϏāĻŽ্āĻ­āĻŦ āχāύ্āĻĄাāϏ্āϟ্āϰি⧟াāϞ āχāĻž্āϜিāύি⧟াāϰিং⧟েāϰ āĻŽাāϧ্āϝāĻŽে। āĻ›োāϟ āĻ•াāϰāĻ–াāύাāĻ—ুāϞো⧟ āĻ-āϏংāĻ•্āϰাāύ্āϤ āĻŦিāĻ­াāĻ— āύেāχ। āĻ•িāύ্āϤু āĻŦ⧜ āĻ“ āĻ•িāĻ›ু āĻŽাāĻাāϰি āĻ•াāϰāĻ–াāύা⧟ āĻāĻ–āύ āχāύ্āĻĄাāϏ্āϟ্āϰি⧟াāϞ āχāĻž্āϜিāύি⧟াāϰিং āφāĻ›ে। āĻ āĻ•াāϰāĻ–াāύাāĻ—ুāϞো⧟ āĻāĻ–āύ āĻĒāϰিāĻ•āϞ্āĻĒāύাāϰ āĻ•্āώেāϤ্āϰāϟি āφāϰো āωāύ্āύāϤ āĻ•āϰāϤে āĻšāĻŦে। āĻŦিāώ⧟āϟি āφāĻŽাāĻĻেāϰ āύি⧟āύ্āϤ্āϰāĻŖে āφāĻ›ে। āĻĢāϞে āĻ āĻŦিāώ⧟ে āωāύ্āύāϤিāϰ āĻ•াāϜ āĻ…āύেāĻ• āĻĻ্āϰুāϤāχ āĻāĻ—ি⧟ে āύে⧟া āϝাāĻŦে। āϤāĻŦে āĻĒাāĻļাāĻĒাāĻļি āĻāϟাāĻ“ āĻŦাāϏ্āϤāĻŦāϤা āϝে āϞিāĻĄ āϟাāχāĻŽেāϰ āĻ•্āώেāϤ্āϰে āĻ…āύ্āϝাāύ্āϝ āĻĒ্āϰāĻ•্āϰি⧟াāĻ—āϤ āϏāĻŽā§ŸāĻ•্āώেāĻĒāĻŖ āĻŦ⧜ āĻĒ্āϰāĻ­াāĻŦāĻ•েāϰ āĻ­ূāĻŽিāĻ•া āϰাāĻ–āĻ›ে। āĻ•িāύ্āϤু āĻāĻ—ুāϞো āφāĻŽাāĻĻেāϰ āύি⧟āύ্āϤ্āϰāĻŖে āύেāχ। āϰāĻĢāϤাāύি-āϏংāĻļ্āϞিāώ্āϟ āύāĻĨি āϤৈāϰি āĻĨেāĻ•ে āĻļুāϰু āĻ•āϰে āĻ•াāϏ্āϟāĻŽāϏ āĻ•্āϞি⧟াāϰেāύ্āϏ āĻ“ āĻĒāĻŖ্āϝ āĻĒāϰিāĻŦāĻšāύেāϰ āĻŽāϤো āφāĻŽাāĻĻেāϰ āύি⧟āύ্āϤ্āϰāĻŖেāϰ āĻŦাāχāϰেāϰ āĻ…āύেāĻ• āĻ•াāϰāĻŖāĻ“ āϰ⧟েāĻ›ে। āϏāĻŦāĻ—ুāϞো āĻ•্āώেāϤ্āϰ āωāύ্āύāϤ āĻ•āϰাāϰ āĻ•াāϜ āφāĻŽāϰা āĻ•āϰāĻ›ি।

āĻ—āĻŦেāώāĻŖা⧟ āĻĻেāĻ–া āĻ—ি⧟েāĻ›ে, āĻ…āĻĻāĻ•্āώ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ›া⧜াāĻ“ āĻ•্āϰেāϤাāϰ āϚাāĻšিāĻĻাāĻŽাāĻĢিāĻ• āϞিāĻĄ āϟাāχāĻŽ āĻŦāϜা⧟ āϰাāĻ–āϤে āύা āĻĒাāϰাāϰ āφāϰেāĻ•āϟি āĻŦ⧜ āĻ•াāϰāĻŖ āĻšāϞো āĻĒ্āϰāĻĨাāĻ—āϤ āĻ‰ā§ŽāĻĒাāĻĻāύ āĻŦ্āϝāĻŦāϏ্āĻĨা। āĻ āĻŦ্āϝāĻŦāϏ্āĻĨা⧟ āĻĒোāĻļাāĻ•েāϰ āĻŦিāĻ­িāύ্āύ āĻ…ংāĻļ āĻ•াāϟাāϰ āĻĒāϰ āϤা āϏ্āϤূāĻĒ āφāĻ•াāϰে āϜāĻŽা āĻĨাāĻ•ে āϏুāχং āĻļাāĻ–া⧟। āĻāϏāĻŦ āφāϞাāĻĻা āĻ•āϰে āĻĒāϰāĻŦāϰ্āϤী āϏāĻŽā§Ÿে āϝāĻĨাāϝāĻĨāĻ­াāĻŦে āĻŦিāϤāϰāĻŖেāϰ āĻ•্āώেāϤ্āϰেāĻ“ āĻāĻ• āϧāϰāύেāϰ āĻ­াāϰāϏাāĻŽ্āϝāĻšীāύāϤাāϰ āϏৃāώ্āϟি āĻ•āϰে। āĻ āϧāϰāύেāϰ āϜāϟিāϞāϤা āύিāϰāϏāύ āĻ•āϰে āĻ‰ā§ŽāĻĒাāĻĻāύেāϰ āĻ—āϤি āĻŦা⧜াāύো āĻĒ্āϰāĻĄাāĻ•āĻļāύ āϏুāĻĒাāχāĻ­াāχāϜাāϰāĻĻেāϰ āϜāύ্āϝ āϏāĻŽā§ŸāϏাāĻĒেāĻ•্āώ āĻšā§Ÿে āĻĒ⧜ে। āĻ…āĻ•াāϰ্āϝāĻ•āϰ āĻ āĻĒāύ্āĻĨা⧟ āĻāĻ• āĻāĻ•āϟি āύāĻ•āĻļা āĻ…āύুāϝা⧟ী āϚূ⧜াāύ্āϤ āĻĒāĻŖ্āϝ āϤৈāϰিāϤেāĻ“ āϏāĻŽā§ŸāĻ•্āώেāĻĒāĻŖ āĻšā§Ÿ। āϏাāϰ্āĻŦিāĻ•āĻ­াāĻŦে āĻĒ্āϰāĻĄাāĻ•āĻļāύ āĻŽ্āϝাāύেāϜাāϰেāϰ āĻĒāĻ•্āώে āϝāĻĨাāϝāĻĨ āĻ‰ā§ŽāĻĒাāĻĻāύ āĻŦ্āϝāĻŦāϏ্āĻĨাāĻĒāύা āϏāĻŽ্āĻ­āĻŦ āĻšā§Ÿ āύা। āĻŦ⧜ āϏāĻŽāϏ্āϝা āĻšāϞো āĻ āϧāϰāύেāϰ āĻĒ্āϰāĻĨাāĻ—āϤ āĻŦ্āϝāĻŦāϏ্āĻĨাāϤেāχ āĻŦেāĻļিāϰ āĻ­াāĻ— āĻ•াāϰāĻ–াāύা āĻ…āĻ­্āϝāϏ্āϤ āĻšā§Ÿে āωāĻ েāĻ›ে। āĻ āĻĨেāĻ•ে āĻŦেāϰি⧟ে āφāϏাāϰ āĻ•্āώেāϤ্āϰেāĻ“ āϏংāĻļ্āϞিāώ্āϟ āĻ…āύেāĻ•েāϰ āĻŽāϧ্āϝে āĻ…āύীāĻšা āϰ⧟েāĻ›ে। 

āĻ āĻŦিāώ⧟ে āωāϞ্āϞিāĻ–িāϤ āĻ—āĻŦেāώāĻŖা āĻĒāϰিāϚাāϞāύাāĻ•াāϰী āĻāĻŦং āĻāύāφāχāϟিāχāφāϰেāϰ āĻļিāĻ•্āώāĻ• āĻ“ āĻ—āĻŦেāώāĻ• āφāĻŦিāϰ āĻ–াāύ āĻŦāĻŖিāĻ• āĻŦাāϰ্āϤাāĻ•ে āĻŦāϞেāύ, āĻŦাংāϞাāĻĻেāĻļে āĻĒোāĻļাāĻ• āĻ–াāϤেāϰ āϞিāĻĄ āϟাāχāĻŽ āĻŦāϜা⧟ āϰাāĻ–াāϰ āϏāĻŽāϏ্āϝা āύি⧟ে āĻĻুāϟো āĻŦিāώ⧟ āωāϞ্āϞেāĻ–āϝোāĻ—্āϝ। āĻāĻ•āϟি āĻšāϞো āχāύ্āĻĄাāϏ্āϟ্āϰি⧟াāϞ āχāĻž্āϜিāύি⧟াāϰিং⧟েāϰ āĻ…āĻĻāĻ•্āώāϤা। āĻ āϧāϰāύেāϰ āĻ•াāĻ াāĻŽোāϰ āĻŦ্āϝাāĻĒ্āϤি āĻĻেāĻļেāϰ āĻĒোāĻļাāĻ• āĻ–াāϤে āĻŦ্āϝাāĻĒāĻ• āύা। āĻŦাāϏ্āϤāĻŦ āĻ…āĻ­িāϜ্āĻžāϤাāϰ āύিāϰিāĻ–ে āĻŦāϞা āϝা⧟, āĻ•্āϰেāϤাāϰা āĻ•্āϰ⧟াāĻĻেāĻļ āĻĻে⧟াāϰ āφāĻ—ে āϝāĻ–āύ āϏ্āϝাāĻŽ্āĻĒāϞ āĻĄেāĻ­েāϞāĻĒāĻŽেāύ্āϟ āĻŦা āύāĻŽুāύা āωāύ্āύ⧟āύেāϰ āĻ•াāϜ āĻĻে⧟, āϤāĻ–āύ āĻŦাংāϞাāĻĻেāĻļেāϰ āĻ•াāϰāĻ–াāύা⧟ āĻ…āύেāĻ• āĻŦেāĻļি āϏāĻŽā§Ÿ āύে⧟া āĻšā§Ÿ। āĻĻেāĻ–া āϝা⧟ āĻāĻ•āϟা āĻ•্āϰ⧟াāĻĻেāĻļ āĻ•্āϰেāϤা āĻĻিāϤে āϚাāϚ্āĻ›ে āϜাāύু⧟াāϰি āĻŽাāϏেāϰ āϜāύ্āϝ, āĻ•িāύ্āϤু āύāĻŽুāύা⧟ āĻŦাāϰāĻŦাāϰ āĻ­ুāϞ āĻšāĻ“ā§Ÿা⧟ āĻĢেāĻŦ্āϰু⧟াāϰি, āĻŽাāϰ্āϚ āĻĒāϰ্āϝāύ্āϤ āϏāĻŽā§Ÿ āύāώ্āϟ āĻšā§Ÿ। āĻāϤে āĻ•āϰে āϞিāĻĄ āϟাāχāĻŽ āĻŦে⧜ে āĻ—ি⧟ে āĻĒ্āϰāϤিāϝোāĻ—ী āĻĻেāĻļāĻ—ুāϞোāϰ āĻ•াāĻ›ে āĻ•্āϰ⧟াāĻĻেāĻļ āĻšাāϰাāϤে āĻšā§Ÿ। āĻ•্āϰেāϤাāϰা āĻāĻ•āχ āĻĒāĻŖ্āϝেāϰ āύāĻŽুāύা āϤৈāϰিāϰ āĻ•াāϜ āĻāĻ•াāϧিāĻ• āĻĻেāĻļে āĻĻি⧟ে āĻĨাāĻ•েāύ। āϝে āĻĻেāĻļ āϝāϤ āĻĻ্āϰুāϤ āύāĻŽুāύা āϤৈāϰি āĻ•āϰে āĻ…āύুāĻŽোāĻĻāύ āύিāϤে āĻĒাāϰে, āϏেāχ āĻĻেāĻļেāχ āĻ•্āϰ⧟াāĻĻেāĻļ āĻĻে⧟া āĻšā§Ÿ। āϏাāϰ্āĻŦিāĻ•āĻ­াāĻŦে āĻ•্āϰ⧟াāĻĻেāĻļ āϧāϰাāϰ āĻĒ্āϰাāĻĨāĻŽিāĻ• āϧাāĻĒেāχ āϝে āĻĻāĻ•্āώāϤা āĻŦা āύৈāĻĒুāĻŖ্āϝ āĻĒ্āϰ⧟োāϜāύ āϏে āϜা⧟āĻ—াāϟিāϤে āĻ…āύেāĻ• āĻĻুāϰ্āĻŦāϞāϤা āϰ⧟ে āĻ—েāĻ›ে। āĻāϰāĻĒāϰ āχāύ্āĻĄাāϏ্āϟ্āϰি⧟াāϞ āχāĻž্āϜিāύি⧟াāϰিং⧟েāϰ āϘাāϟāϤিāϤে āϞিāĻĄ āϟাāχāĻŽ āĻŦāϜা⧟ āϰাāĻ–া āϝাāϚ্āĻ›ে āύা āĻŦাংāϞাāĻĻেāĻļে। āϧাāϰāĻŖাāϟি āĻŦাংāϞাāĻĻেāĻļে āĻāĻ–āύো āύāϤুāύ।

Australia's cotton industry virtually sold out of 2021 cotton: CACotton Australia

👉Australia's cotton industry virtually sold out of 2021 cotton: CA
Cotton Australia 

Australia’s cotton industry has announced it has virtually sold out of 2021 cotton, just one year after the decision by China to dramatically reduce imports, according to Cotton Australia (CA). The country’s cotton farmers are optimistic about the future with good demand, as buyers increase their support amid the emergence of new international markets.
Cotton Australia CEO Adam Kay said, “The sustained demand shows there is still strong interest in our premium cotton. There is no doubt that China was a vital trading partner for us, and we hope that they will be again, but we needed to secure sales for our top-quality cotton and that’s what our merchants have done.”
Last year’s crop was 2.8 million bales and with the help of a grant from the Federal Government under the Agricultural Trade and Market Access Cooperation (ATMAC) programme, word is getting out.
Michael O’Rielley, chair of the Australian Cotton Shippers Association said the efforts of all their members have paid dividends and the grant will only assist in marketing Australian cotton across all available export markets. “Twelve months on I think things are looking positive. We are not without our challenges but there’s life after China – there really is. We are still fielding enquiries for the 2021 crop however we are all but sold out. If we could get more bales, we would sell them because the demand is certainly there.”
O’Rielley said Vietnam, Thailand, Bangladesh and India have all been supportive with Indonesia having the most immediate potential. “Right now, Vietnam is our biggest export market followed by Indonesia which currently has the most upside. They are our closest neighbour, and we have short shipping times. We are a lot more competitive in terms of price, and we can land it there quickly for an industry operating in a ‘just-in-time’ environment.”
Turkey re-entered the market recently purchasing volumes of Australian cotton not seen for several years while Pakistan would order more if shipping issues could be resolved. “The pandemic has increased prices and competition for containers while shipping lines are more selective, choosing ports with easy access. Once we have secured shipping, we can land bales in Asia in two weeks compared to 8 to 12 weeks for the US and Brazil,” O’Rielley added.

Kay said Australia’s cotton is known for its sustainability and high-quality, on top of its reputation for being one the least foreign matter contaminated fibres in the world, resulting in better productivity. “Many of our farmers have already secured contracts for their cotton on the futures market and that gives us a great start to the sales campaign for this season. We sell every bale we produce and 2022 will be no different.”
F2F

āĻŦিāĻļ্āĻŦেāϰ āĻļীāϰ্āώ ā§§ā§Ļ āĻĒāϰিāĻŦেāĻļāĻŦাāύ্āϧāĻŦ āĻĒোāĻļাāĻ• āĻ•াāϰāĻ–াāύাāϰ āĻŽāϧ্āϝে āύāϝ়āϟিāϰ āĻŽাāϞিāĻ• āĻŦাংāϞাāĻĻেāĻļ।

āĻŦিāĻļ্āĻŦেāϰ āĻļীāϰ্āώ ā§§ā§Ļ āĻĒāϰিāĻŦেāĻļāĻŦাāύ্āϧāĻŦ āĻĒোāĻļাāĻ• āĻ•াāϰāĻ–াāύাāϰ āĻŽāϧ্āϝে āύāϝ়āϟিāϰ āĻŽাāϞিāĻ• āĻŦাংāϞাāĻĻেāĻļ। āĻļুāϧু āϤাāχ āύāϝ়, āĻļীāϰ্āώ ā§§ā§Ļā§Ļ āĻ—্āϞোāĻŦাāϞ āĻĒ্āϞ্āϝাāϟিāύাāĻŽ āĻ•াāϰāĻ–াāύাāϰ āĻŽāϧ্āϝে ā§Šā§¯ āϟি āϰ⧟েāĻ›ে āĻāχ āĻĻেāĻļে।
Report : 2021



⧍ā§Ļ⧧⧝ āϏাāϞে āĻ•োāύ āĻāĻ• āϜāύāĻ•ে āĻļāϤāĻŦাāϰ āĻŦāϞেāĻ“, āĻ…āĻŦুāĻেāϰ āĻŽāϤ āύাāĻŦুāϜ āĻ›িāϞ।
āĻāĻ•āĻ—ুāϝ়েāĻŽি āĻŦাāĻĻ āĻĻিāϤে āĻšāĻŦে, āĻĒোāĻļাāĻ•ে āĻŦৈāϚিāϤ্āϰ্āϝ āφāύāϤে āĻšāĻŦে। āϰিāϏাāϰ্āϚ āĻāĻŦং āĻĄেāĻ­েāϞāĻĒāĻŽেāύ্āϟ āĻāϰ āĻļāϤāĻ­াāĻ— āϜোāϰ āĻĻিāϤে āĻšāĻŦে। āϤāĻŦেāχ āĻāχ āĻļিāϞ্āĻĒāĻ•ে āĻŦাāϚিāϝ়ে āϰাāĻ–া āϝাāĻŦে।

How is cotton grown.

☘️🌱HOW IS COTTON GROWN?

👉Cotton is planted in spring, grown over summer, and picked in autumn.
👉The cotton plant grows to around 1.2 metres in height.
👉Each bale of cotton weighs 227 kilograms.

Cotton is a natural fibre grown on a plant related to the commonly-found garden species hibiscus.
Cotton seeds are planted in spring and the plant grows into green, bushy shrubs about one metre in height.

The plants briefly grow pink and cream coloured flowers that, once pollinated, drop off and are replaced with fruit, better known as cotton bolls.
Inside the cotton boll is fluffy, white lint as well as cotton seeds.

Once the plant has been defoliated (sprayed so the leaves die and the plant is left looking like a collection of bare sticks), and the bolls have cracked open to reveal the lint, the cotton is ready to be picked.

In Australia, cotton is picked with large mechanical harvesters and gathered into large, round, wrapped modules. The modules are then sent off to a cotton gin for processing.
During the ginning process, the lint is separated from the seeds and is then pressed into rectangular bales.

Each bale weights 227 kilograms. It is then shipped overseas to be spun, dyed, knitted and woven into fabrics like clothes and home furnishings.

Farm and soil preparation:

There are a number of locally-bred and adapted varieties of cotton that can be selected and grown. Varieties are generally chosen by growers based on yield, quality, disease resistance characteristics and biotechnology traits. Other traits such as season length, disease resistance and varietal determinacy also play important roles.

Fields are laser-levelled and graded, and if fields are not going to be planted with cotton again the following season, they can also be rotated either into another crop (often wheat) or fallowed.

Fields are prepared for planting, weeds are controlled, and nutrients are added if necessary. Most growers now leave their cotton stubble standing in the field and mulch it back into the soil to add valuable nutrients.

Soil moisture is also checked and pre-watering is undertaken if necessary.
Planting:

Growers check the soil temperature regularly before planting. Cotton seed is planted in the spring, as soon as the soil is warm enough to be sure of satisfactory seed germination and crop establishment (when the temperature reaches 14 degrees Celsius measured at 8am AEST with a rising temperature forecast for the seven day period post-planting).
Cotton seeds emerge from the ground five to 14 days after planting - depending on soil temperature and moisture.
Refuge crops are also established at this time, which help slow down resistance to Bt proteins from evolving in the pest population by producing susceptible Helicoverpa moths that have not been exposed to the Bt toxins. Moths produced in the refuge crops will disperse and mate with any potentially resistant moths from the Bollgard 3 crops. This tactic is called genetic dilution.
Growing season:

Squares (flower buds) develop several weeks after the plant starts to grow, before flowers appear a few weeks later. The flowers then drop, leaving a ripening seed pod that produces fruit, known as bolls, after pollination.

On irrigated cotton farms, the initial irrigation (watering) is usually followed by several additional irrigations at two-to-three week intervals (depending on soil type and weather conditions) from mid-December to late-February. This differs depending on the region, average seasonal temperatures and soil type.
Approximately four months is needed for the cotton bolls to ripen and split open.
Growers protect their crops from pests during this period using Integrated Pest Management (IPM). The UN's Food and Agriculture Organisation defines IPM as "the careful consideration of all available pest control techniques and subsequent integration of appropriate measures that discourage the development of pest populations and keep pesticides and other interventions to levels that are economically justified and reduce or minimize risks to human health and the environment.”
Growers conserve beneficial insects (natural enemies to pests), and manage their natural resources to help suppress pests, which is at the heart of IPM.
The use of biotechnology in cotton has made a significant contribution to the dramatic reduction in insecticides applied to Australian cotton crops. There has been a 97% decrease in insecticide use since 1992, coinciding with the introduction of Bt cotton and strong IPM. The Australian cotton industry’s Environmental Toxic Load (ETL) for bees decreased by 18.2% from 11 to 9 in the four years to 2018.
Picking (harvesting):

The cotton crop is checked by agronomists to ensure it is ready for picking.
Defoliation is then carried out to remove the plant’s leaves and to crack the bolls open. Growers usually choose to harvest the cotton crop once most bolls have opened and fully matured.
It is extremely important that cotton is dry when it is picked, or discolouration may occur and reduce quality.
When mature, the crop is harvested mechanically and placed into large modules. The modules are loaded onto trucks and transported from the farm to a cotton gin. Cotton gins are factories that separate cottonseed and trash from the lint (raw cotton fibre).
After ginning, the cotton lint is tightly pressed into bales. An Australian cotton bale weighs 227 kilograms.
Once the cotton bales are ginned, pressed and containerised, they are loaded onto trucks and trains and sent to ports for shipping, mostly to overseas markets
Off-season:

Cotton classing sorts the fibre into different quality-based grades. The better the fibre quality, the higher the grade and the more the grower is paid for the cotton.
Growers rotate crops (such as faba beans, chickpeas, maize and wheat), which helps to minimise pests and diseases, reduce pesticide use, retain soil moisture levels, build and maintain healthy soils, and better manage soil nutrients. Some growers graze livestock over winter.
Growers make improvements and carry out maintenance on-farm to prepare for next season.
Growers also start marketing their next season's production. Growers can forward-sell crops up to three years in advance to take advantage of good prices.