Sunday, 2 November 2025

Types of clothing accessories in garments

Clothing Accessories

Description

1. Cotton thread

Sewing thread is a mandatory trim for clothing products which ensures the functional properties of clothing products by securing the seams. Sewing thread is not used for knitting or weaving. It can be made of staple fibre or continuous filaments by twisting. Sewing thread can be made from both natural and synthetic fibre. Polyester sewing thread is the most commonly used sewing thread. 


2. Lurex sewing thread

Lurex sewing thread is a decorative, metallic-like thread known for its radiant shimmer and sparkle. It is made from a synthetic core, typically polyester or nylon, that is coated with a thin layer of metallic film, usually aluminum, and then sealed with a protective, colored lacquer.  


3. Flag label

A flag label is a very small label that displays the buyer’s brand name or emblem. It is fastened to the side seam of the clothing’s bottom pieces. 


4. Metal button

Metal buttons in garments are durable and decorative fasteners made from metals like zinc alloy, brass, and stainless steel. They are used for a variety of purposes, from securing heavy-duty fabrics like denim to adding a polished or rugged aesthetic to items like uniforms, blazers, and outerwear. 


5. Hook and eye

Hook and Eye Closures are commonly used in clothing and accessories to fasten two edges together. They can withstand a good amount of stress and are best known as the closures for bras but they are also used for tops, dresses, children’s clothes and even above zippers in skirts. You can use them on waistlines, neck openings and cuffs.



6. a. Zipper plastic

Plastic molded zippers look like metal ones but are lighter. Each tooth is individually molded and fused onto the tape. They come in bright colors, making them a favorite for fashion-forward designs. 


6.b.  Metal Zipper

Material: Brass, aluminum, nickel, or copper. Best for: Denim, leather jackets, boots. If coil zippers are flexible, metal ones are tough as nails. They’re built for durability and aesthetics. The teeth are clamped directly onto the tape, giving that satisfying click sound. A single metal zipper can withstand tensile stress of over 150 Newtons, making it ideal for heavy garments.


6.c. Coil/nylon Zipper

Coil zippers are made using a continuous nylon or polyester coil stitched onto the tape. They’re smooth, flexible, and resistant to damage. Because of their soft construction, they bend easily. perfect for curved seams or lightweight garments. About 60% of modern garments use coil zippers, according to YKK’s 2022 industry report.


6.d. Invisible Zipper

Invisible zippers stay out of sight. Once sewn in, the teeth hide beneath the fabric seam, leaving only the slider visible. These are the go-to choice in high-fashion and women’s wear because they blend seamlessly into the fabric.


7. Interlining

Interlining is a layer of fabric inserted between the outer fabric and lining of a garment to provide structure, stability, and support.


8. Lining fabric

Lining fabric refers to a group of materials inserted into various garments, from skirts and shorts to dresses, jackets and coats. Such fabrics can be made of natural or synthetic fibers and range from sheer to opaque.


9. Pocketing fabric

Pocketing fabric – often referred to as Silesia – is a durable, thin, and finely woven fabric with various typical applications. When a garment needs a bit more body than a fashion fabric can supply, it is typically utilized as flat-lining or even underlining in the concealed portion of the pocket. As important as the other materials used in apparel, denim pocketing fabric is crucial. Because of this, this fabric must be carefully selected.


10. Padding

Padding is a thin soft material which is used inside clothing products. It is generally used in jackets, bras or other outer-wears. It is generally made of synthetic fibre like polyester. 


11. Lace

Lace is a sensual fabric made from yarn or thread in an arbitrary web like pattern by manually or by machine. Originally silver, gold, silk or linen threads were used but now a day cotton thread is mostly used. Synthetic fibre lace is also available. 


12. Velcro / Hook and Loop

Hook and Loop fastener is a trim made of two thin plastic strip sheets one covered with tiny flexible hook and another with loops, which cling together when pressed together and can be separated when pulled out. Hook and loop fastener is a such kind of trim that you will get fun when pressed together or pulling out. It also saves our valuable times. You can find different types of hook and loop fasteners in the market like woven, knitted, non-woven or high-tech hooks (HTH). 


13. Shoulder tape

If you have a close-up view of your T-shirt, you may find shoulder tapes on two sides. The shoulder tape is used for shaping. Thus T-shirt and other knitwear will not be easy to get out of shape after washing or hanging. The shoulder tape is not easy to be find because it is transparent. Sometimes the tape will be hidden under the fabric. This transparent tape has it’s name “TPU tape”. It can also be called as mobilon tape or framilon tape. 


14. Shoulder pads

Shoulder pads are available in different shapes andthickness to suit the garments style. It is widely usedboth for men and ladies wear. They are made fromfoam with a light weighted knitted Polyamide covering




15.a. Metal tag

Metal tags on garments and accessories serve as branding, authentication, and information tools, elevating a product's perceived value and aesthetic. 


15.b. Metal badge

Ever wondered what sets your apparel apart, adding that final touch of sophistication and distinction? A well-crafted metal badge could be the answer. Ideal for elevating brand identity, these badges bring a blend of durability and elegance that withstands time and trend. When it comes to exceptional quality and meticulous design, Trim Tex Associates stands as your top choice. With a commitment to precision and style, their metal badges are designed to enhance any garment with a refined, polished look—making your brand unforgettable.


15.c. Plastic logo

Plastic logos on garment accessories are custom-made brand marks used for branding, identification, and decoration on items like clothing, bags, and shoes. These logos can be created using various techniques such as 3D embossing, heat transfer, or as a part of accessories like plastic seal tags or zipper pullers. 


15.d. Printed logo

Printed logos on garment accessories are created using various methods like screen printing for flat surfaces, heat transfer for details like silicone logos, and woven labels for a traditional, durable identification. Other options include sublimation for polyester items and embossing/debossing for materials like leathe. 


15.e.Embroidery logo

Embroidery logos are a popular and durable way to add a professional and sophisticated touch to garments and accessories like hats, bags, and jackets. This technique uses stitching to create a raised, textured, and long-lasting design that can include 3D effects for added depth. You can apply embroidery directly to the item or use embroidered patches that have a backing like iron-on for easy application. 


16. Rivet

Rivets on clothes are small metal fasteners used to reinforce high-stress areas, like pocket corners, to prevent tearing and increase durability. They can also be a decorative element in fashion, adding a professional or stylistic finish. While originally for function, they are now common on everything from workwear to high-fashion items, reinforcing seams and providing a unique aesthetic


17. Buckle

A buckle or clasp is a device used for fastening two loose ends, with one end attached to it and the other held by a catch in a secure but adjustable manner. Often taken for granted, the invention of the buckle was indispensable in securing two ends before the invention of the zipper.


18. Stopper

A stopper, or cord lock, is a small garment accessory used to secure and adjust drawstrings, cords, or elastic bands in clothing and accessories. These stoppers, found on items like hoodies, jackets, and bags, prevent cords from slipping out and allow for a snug, comfortable fit. They come in various types, including toggle and barrel locks, and are made from materials like plastic, metal, rubber, or silicone. 


19. Ring

D rings are essential components in the apparel industry, known for their combination of functionality, durability, and aesthetic appeal. 


20. Hanger loop

Two pieces of tape in shoulder of clothes is common. It can be in any color and any material. The most common color is white or black, while the most popular material is rayon. But some clothes designers ask for invisible tape in clothes. So sometimes we can see two pieces of tape in clothes that made from TPU elastic tape. Generally, we called these two tape as hanger loops.


21. Waving belt

From elastic belts for flexibility to jacquard belts for intricate patterns, each type serves a specific purpose in garment construction. This guide explores the various types of weaving belts and their unique benefits in fashion and textile applications. 


22. Ball chain

Ball chains are used in garments primarily for attaching hang tags, but also as decorative elements. They are commonly used with a connector clamp to securely fasten tags to clothing, shoes, luggage, and other products, creating a secure and tamper-evident label. They can also be used decoratively, such as for sweater chains or body chain harnesses.


23. Beads

Beads are small, decorative elements used in garments and accessories to add visual appeal, texture, and sparkle. They can be functional fasteners or purely ornamental embellishments, and are made from materials like glass, crystal, plastic, and wood. Beadwork can range from intricate embroidery on high-end fashion to simple additions on everyday wear, providing creative expression and unique design accent. 


24. Ring stone

Ring stone accessories, commonly known as rhinestones, are glass or crystal imitations of gemstones used to decorate garments like shirts, collars, and dance outfits. 


25. Metal washer

Metal washer-like accessories in garments are primarily eyelets and grommets, which are metal rings that reinforce holes for lacing or fastening and prevent fraying. 



Friday, 12 September 2025

āĻāχāϚāĻāϏ āĻ•োāĻĄেāϰ āĻ…āϏāĻ™্āĻ—āϤিāϤে āĻĒāĻŖ্āϝ āφāϟāĻ•ে āĻĨাāĻ•াāϰ āĻ­োāĻ—াāύ্āϤিāĻŽুāĻ•্āϤ āĻšāϞেāύ āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•āϰা

āĻāχāϚāĻāϏ āĻ•োāĻĄেāϰ āĻ…āϏāĻ™্āĻ—āϤিāϤে āĻĒāĻŖ্āϝ āφāϟāĻ•ে āĻĨাāĻ•াāϰ āĻ­োāĻ—াāύ্āϤিāĻŽুāĻ•্āϤ āĻšāϞেāύ āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•āϰা

āĻŦāύ্āĻĻāϰেāϰ āĻ•াāϏ্āϟāĻŽāϏে āĻāχāϚāĻāϏ (āĻšাāϰāĻŽোāύাāχāϜāĻĄ āϏিāϏ্āϟেāĻŽ) āĻ•োāĻĄেāϰ āφāϟ āϏংāĻ–্āϝাāϰ āϏāĻ™্āĻ—ে āϏাāĻŽাāύ্āϝ āĻ…āϏāĻ™্āĻ—āϤি āĻĨাāĻ•āϞেāχ āĻŦিāϰাāϟ āĻŽুāϏিāĻŦāϤে āĻĒ⧜āϤে āĻšā§Ÿ āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•āĻĻেāϰ। āĻāϤে āĻĻিāύেāϰ āĻĒāϰ āĻĻিāύ āϤাāĻĻেāϰ āφāĻŽāĻĻাāύিāĻ•ৃāϤ āĻ•াঁāϚাāĻŽাāϞ āφāϟāĻ•ে āĻĨেāĻ•েāĻ›ে, āĻ•āĻ–āύোāĻŦা āĻļূāύ্āϝ āĻļুāϞ্āĻ•েāϰ āφāĻŽāĻĻাāύি āĻĒāĻŖ্āϝে āφāϰোāĻĒিāϤ āĻšā§ŸেāĻ›ে ⧍ā§Ļā§Ļ āĻļāϤাংāĻļ āϜāϰিāĻŽাāύা। āϏāĻŽ্āĻĒ্āϰāϤি āύাāϰা⧟āĻŖāĻ—āĻž্āϜেāϰ āĻāĻ• āύিāϟ āĻĒোāĻļাāĻ• āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•েāϰ āĻ•্āώেāϤ্āϰে āϝেāĻŽāύāϟা āĻšā§ŸেāĻ›ে—āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āĻšাāχāĻ•োāϰ্āϟে āĻ—ি⧟েāĻ“ āϏāĻŽাāϧাāύ āĻŽিāϞāϞেāĻ“ āϤāϤোāĻĻিāύে āĻŦিāĻĻেāĻļি āĻŦা⧟াāϰ āϰāĻĒ্āϤাāύিāϰ āĻ…āϰ্āĻĄাāϰāχ āĻŦাāϤিāϞ āĻ•āϰে āĻĻে⧟।

āĻ…āĻŦāĻļেāώে āĻŦ্āϝāĻŦāϏা⧟ীāĻĻেāϰ āĻ āϧāϰāύেāϰ āĻ­োāĻ—াāύ্āϤি āĻ“ āĻ•্āώāϤি āĻĨেāĻ•ে āĻŽুāĻ•্āϤি āĻĻিāϤে āϜাāϤী⧟ āϰাāϜāϏ্āĻŦ āĻŦোāϰ্āĻĄ (āĻāύāĻŦিāφāϰ) āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āύিāϰ্āĻĻেāĻļ āĻĻি⧟েāĻ›ে, āĻŦāύ্āĻĄেāĻĄ āϏুāĻŦিāϧাāϰ āφāĻ“āϤা⧟ āϰāĻĒ্āϤাāύিāĻŽুāĻ–ী āĻļিāϞ্āĻĒেāϰ āĻļুāϞ্āĻ•āĻŽুāĻ•্āϤ āĻ•াঁāϚাāĻŽাāϞ āφāĻŽāĻĻাāύিāϰ āĻ•্āώেāϤ্āϰে āĻāχāϚāĻāϏ āĻ•োāĻĄেāϰ āϏাāĻŽাāύ্āϝ āĻ…āϏāĻ™্āĻ—āϤি āωāĻĒেāĻ•্āώা āĻ•āϰāϤে āĻšāĻŦে।

āĻāύāĻŦিāφāϰেāϰ āĻāχ āύিāϰ্āĻĻেāĻļāύাāĻ•ে āϏ্āĻŦাāĻ—āϤ āϜাāύি⧟েāĻ›েāύ āĻŦ্āϝāĻŦāϏা⧟ীāϰা। āϤাāϰা āĻŦāϞāĻ›েāύ, āĻāĻ–āύ āĻ•াāϏ্āϟāĻŽāϏেāϰ āĻšā§Ÿāϰাāύি āĻ…āύেāĻ•াংāĻļেāχ āĻ•āĻŽে āϝাāĻ“ā§Ÿাāϰ āϏুāϝোāĻ— āϤৈāϰি āĻšāϞো। āĻĢāϞে āĻ•াāϏ্āϟāĻŽāϏে āĻ…āĻ•াāϰāĻŖে āĻĒāĻŖ্āϝ āφāϟāĻ•ে āĻĨাāĻ•āĻŦে āύা, āϏāĻŽā§ŸāĻŽāϤো āϰāĻĒ্āϤাāύিāĻ“ āϏāĻŽ্āĻĒāύ্āύ āĻ•āϰা āϝাāĻŦে।

āĻ—āϤāĻ•াāϞ āĻāĻ• āĻŦিāϜ্āĻžāĻĒ্āϤিāϤে āĻāύāĻŦিāφāϰ āϜাāύা⧟, āĻŦāύ্āĻĄ āϞাāχāϏেāύ্āϏāϧাāϰী āĻ•োāĻŽ্āĻĒাāύিāϰ āĻ•াঁāϚাāĻŽাāϞ āφāĻŽāĻĻাāύিāϰ āĻ•্āώেāϤ্āϰে āϝāĻĻি āĻāχāϚāĻāϏ āĻ•োāĻĄেāϰ āĻŽূāϞ āĻ…ংāĻļ (āĻĒ্āϰāĻĨāĻŽ āϚাāϰ āϏংāĻ–্āϝা) āϏāĻ িāĻ• āĻĨাāĻ•ে, āϤāĻŦে āĻļেāώেāϰ āϏংāĻ–্āϝা⧟ āĻ…āĻŽিāϞ āĻĨাāĻ•āϞেāĻ“ āĻ•াāϏ্āϟāĻŽāϏ āϚাāϞাāύ āφāϟāĻ•াāϤে āĻĒাāϰāĻŦে āύা। āĻ•োāύো āϤ্āϰুāϟি āĻĨাāĻ•āϞে āϤা āύিāϰ্āĻĻিāώ্āϟ āϏāĻŽā§Ÿেāϰ āĻŽāϧ্āϝে āϏংāĻļোāϧāύ āĻ•āϰāϤে āĻšāĻŦে āĻāĻŦং āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āϤৃāĻĒāĻ•্āώ āϤা āĻ—্āϰāĻšāĻŖ āĻ•āϰāĻŦে।

āĻŦ্āϝāĻŦāϏা⧟ীāĻĻেāϰ āĻĻীāϰ্āϘāĻĻিāύেāϰ āĻĻাāĻŦিāϰ āĻĒ্āϰেāĻ•্āώিāϤেāχ āĻāχ āϏিāĻĻ্āϧাāύ্āϤ āύেāĻ“ā§Ÿা āĻšā§ŸেāĻ›ে। āĻāϤে āĻ•াāϏ্āϟāĻŽāϏে āĻšā§Ÿāϰাāύি āωāϞ্āϞেāĻ–āϝোāĻ—্āϝāĻ­াāĻŦে āĻ•āĻŽāĻŦে āĻŦāϞে āφāĻļা āĻ•āϰা āĻšāϚ্āĻ›ে।

āĻāύāĻŦিāφāϰ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāϰাāĻ“ āĻāĻ•āχ āĻ•āĻĨা āĻŦāϞāĻ›েāύ। āϤাāϰা āĻŦāϞāϞেāύ, āĻ•াāϏ্āϟāĻŽāϏ āϏংāĻ•্āϰাāύ্āϤ āĻŽাāĻŽāϞাāϰ ⧝ā§Ļ āĻļāϤাংāĻļāχ āĻšā§Ÿ āĻāχāϚāĻāϏ āĻ•োāĻĄ āϏংāĻ•্āϰাāύ্āϤ āĻŦিāώ⧟ে। āĻĢāϞে āĻ­āĻŦিāώ্āϝāϤে āĻŽাāĻŽāϞাāϰ āϏংāĻ–্āϝাāĻ“ āĻ•āĻŽে āϝাāĻŦে।

āĻāύāĻŦিāφāϰ āϚে⧟াāϰāĻŽ্āϝাāύ āφāĻŦāĻĻুāϰ āϰāĻšāĻŽাāύ āĻ–াāύ āϟিāĻŦিāĻāϏāĻ•ে āĻŦāϞেāύ, "āĻŦ্āϝāĻŦāϏা⧟ীāĻĻেāϰ āĻĒāĻ•্āώ āĻĨেāĻ•ে āĻŦ⧜ āĻ…āĻ­িāϝোāĻ— āĻ›িāϞ āĻāχāϚāĻāϏ āĻ•োāĻĄ āύি⧟ে āφāĻŽāĻĻাāύিāĻ•াāϰāĻ• āĻ“ āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āĻŽāϤāĻŦিāϰোāϧেāϰ āĻ•াāϰāĻŖে āĻĒāύ্āϝ āĻ•্āϞি⧟াāϰিং⧟ে āĻĻেāϰি āĻšāĻ“ā§Ÿা āĻāĻŦং āĻ–āϰāϚ āĻŦে⧜ে āϝাāĻ“ā§Ÿা āύি⧟ে। āύিāϰ্āĻĻেāĻļāύা āĻĻেāĻ“ā§Ÿা āĻšā§ŸেāĻ›ে, āϝাāϤে āĻ•োāύāĻ­াāĻŦেāχ āϰāĻĒ্āϤাāύিāϤে āĻŦ্āϝāĻŦāĻšৃāϤ āĻ•াঁāϚাāĻŽাāϞ āφāϟāĻ•ে āϰাāĻ–া āύা āĻšā§Ÿ।"

āϤিāύি āĻŦāϞেāύ, "āĻāχāϚāĻāϏ āĻ•োāĻĄ āύি⧟ে āĻ•োāύো āĻŽāϤāĻĒাāϰ্āĻĨāĻ•্āϝ āĻĻেāĻ–া āĻĻিāϞে āφāĻŽāĻĻাāύিāĻ•াāϰāĻ• āĻ…āĻ™্āĻ—ীāĻ•াāϰāύাāĻŽা/ āĻĻি⧟ে āϤা āĻ•্āϞি⧟াāϰ āĻ•āϰে āύেāĻŦেāύ। āĻāϰāĻĒāϰ āύিāϰ্āϧাāϰিāϤ āϏāĻŽā§Ÿেāϰ āĻŽāϧ্āϝে āϤা āĻ•াāϰেāĻ•āĻļāύ āĻ•āϰāĻŦেāύ। āĻāχāϚ āĻāϏ āĻ•োāĻĄেāϰ āĻĒ্āϰāĻĨāĻŽ āϚাāϰ āĻĄিāϜিāϟে āĻ­ুāϞ āĻĨাāĻ•āϞেāĻ“ āĻ“āχ āϚাāϞাāύ āφāϟāĻ•ে āϰাāĻ–া āϝাāĻŦে āύা।"

āĻ…āĻŦāĻļ্āϝ āĻāĻ•āχāϏāĻ™্āĻ—ে āϤিāύি āĻŦ্āϝāĻŦāϏা⧟ীāĻĻেāϰāĻ“ āύি⧟āĻŽ āĻŽাāύাāϰ āφāĻš্āĻŦাāύ āϜাāύি⧟ে āĻŦāϞেāύ, "āĻĻেāĻļেāϰ āφāĻŽāĻĻাāύি-āϰāĻĒ্āϤাāύিāϏāĻš āĻŦ্āϝāĻŦāϏা⧟ে āĻ—āϤি āφāύা āĻāĻŦং āϜāϟিāϞāϤা āĻ•āĻŽাāύোāϰ āϏ্āĻŦাāϰ্āĻĨে āĻāχ āϏিāĻĻ্āϧাāύ্āϤ āύেāĻ“ā§Ÿা āĻšā§ŸেāĻ›ে। āĻ•িāύ্āϤু āĻ•েāω āϝāĻĻি āĻāϰ āĻŽিāϏāχāωāϜ āĻ•āϰেāύ, āϤাāĻšāϞে āφāχāύ āĻ…āύুāϝা⧟ী āϤাāϰ āĻŦিāϰুāĻĻ্āϧে 'āĻāĻ•্āϏāϟ্āϰিāĻŽ āĻĒাāύিāĻļāĻŽেāύ্āϟ' āĻšāĻŦে।"

āϰাāϜāϏ্āĻŦ āĻŦোāϰ্āĻĄেāϰ āϏিāĻĻ্āϧাāύ্āϤāĻ•ে āϏ্āĻŦাāĻ—āϤ āϜাāύি⧟ে āĻĻেāĻļেāϰ āĻ…āύ্āϝāϤāĻŽ āĻŦৃāĻšā§Ž āĻĒোāĻļাāĻ• āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ• āĻĒ্āϰāϤিāώ্āĻ াāύ–āϏ্āĻĒ্āϝাāϰো āĻ—্āϰুāĻĒেāϰ āĻŦ্āϝāĻŦāϏ্āĻĨাāĻĒāύা āĻĒāϰিāϚাāϞāĻ• āĻļোāĻ­āύ āχāϏāϞাāĻŽ āĻŦāϞেāύ, "āĻĻেāĻļেāϰ āĻāĻŽāύ āĻ•োāύো āĻĒোāĻļাāĻ• āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ• āύেāχ, āϝাāϰা āĻāχāϚāĻāϏ āĻ•োāĻĄেāϰ āĻšā§Ÿāϰাāύিāϰ āĻŽুāĻ–ে āĻĒ⧜েāύāύি āĻāĻŦং āĻāύি⧟ে āϤাāĻĻেāϰ āϤিāĻ•্āϤ āĻ…āĻ­িāϜ্āĻžāϤা āύেāχ। āĻāύāĻŦিāφāϰেāϰ āĻāχ āύিāϰ্āĻĻেāĻļāύা āφāĻŽাāĻĻেāϰ āĻĻীāϰ্āϘāĻĻিāύেāϰ āĻĻাāĻŦি āĻ›িāϞ। āĻāχ āϏিāĻĻ্āϧাāύ্āϤে āφāĻŽāϰা āĻ…āϤ্āϝāύ্āϤ āĻ–ুāĻļি" –āĻŦāϞেāύ āϤিāύি।

āχāύāĻĢোāĻ—্āϰাāĻĢিāĻ•: āϟিāĻŦিāĻāϏ
āĻāύāĻŦিāφāϰেāϰ āύিāϰ্āĻĻেāĻļāύাāϰ āĻŽূāϞ āĻĒ⧟েāύ্āϟ

āĻŦāύ্āĻĄ āϞাāχāϏেāύ্āϏে āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤ āĻĒāĻŖ্āϝেāϰ āĻŦāϰ্āĻŖāύা āĻ“ āĻāχāϚāĻāϏ āĻ•োāĻĄ āĻ…āύুāϝা⧟ী āφāĻŽāĻĻাāύিāĻ•ৃāϤ āĻĒāĻŖ্āϝেāϰ āϘোāώāĻŖা āĻĻেāĻ“ā§Ÿাāϰ āĻĒāϰ āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āϤৃāĻĒāĻ•্āώ āĻ­িāύ্āύ āĻāχāϚāĻāϏ āĻ•োāĻĄ āύিāϰ্āϧাāϰāĻŖ āĻ•āϰāϞে āĻĒ্āϰāϤিāώ্āĻ াāύāϟি āĻ•াāϏ্āϟāĻŽāϏ āĻŦāύ্āĻĄ āĻŽ্āϝাāύেāϜāĻŽেāύ্āϟ āϏিāϏ্āϟেāĻŽ (āϏিāĻŦিāĻāĻŽāĻāϏ)-āĻāϰ āĻŽাāϧ্āϝāĻŽে āϏেāχ āĻāχāϚāĻāϏ āĻ•োāĻĄ āĻĒ্āϰাāĻĒ্āϝāϤা⧟ āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤ āĻ•āϰāϤে āĻĒাāϰāĻŦে। āϤāĻŦে āĻŦāύ্āĻĄ āϞাāχāϏেāύ্āϏে āĻ…āύ্āϤāϰ্āĻ­ুāĻ•্āϤ āĻāχāϚāĻāϏ āĻ•োāĻĄ-āĻāϰ āĻĒ্āϰāĻĨāĻŽ āϚাāϰ āϏংāĻ–্āϝাāϰ āϏāĻ™্āĻ—ে āύিāϰূāĻĒিāϤ āĻāχāϚāĻāϏ āĻ•োāĻĄ-āĻāϰ āĻĒ্āϰāĻĨāĻŽ āϚাāϰ āϏংāĻ–্āϝাāϰ āĻŽিāϞ āĻĨাāĻ•āϤে āĻšāĻŦে। 

āĻāϏāĻŦ āĻ•্āώেāϤ্āϰে āφāĻŽāĻĻাāύিāĻ•াāϰāĻ•āĻ•ে ā§Šā§Ļ āĻĻিāύেāϰ āĻŽāϧ্āϝে āĻŦāύ্āĻĄ āϞাāχāϏেāύ্āϏে āĻāχāϚāĻāϏ āĻ•োāĻĄ āĻŦা āĻĒāĻŖ্āϝেāϰ āĻŦāϰ্āĻŖāύা āϏংāĻļোāϧāύেāϰ āϜāύ্āϝ āĻāĻ•āϟি āĻ…āĻ™্āĻ—ীāĻ•াāϰāύাāĻŽা āĻĻিāϤে āĻšāĻŦে। āĻ…āĻ™্āĻ—ীāĻ•াāϰāύাāĻŽা āϜāĻŽা āĻĻেāĻ“ā§Ÿাāϰ āĻĒāϰ āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āϤৃāĻĒāĻ•্āώ āĻ•োāύোāĻ­াāĻŦেāχ āϚাāϞাāύ āφāϟāĻ•ে āϰাāĻ–āϤে āĻĒাāϰāĻŦে āύা।

āĻ āĻ›া⧜া āĻŦāύ্āĻĄāϧাāϰী āĻĒ্āϰāϤিāώ্āĻ াāύ āϚাāχāϞে āĻ•াāϏ্āϟāĻŽāϏ āĻŦāύ্āĻĄ āĻŽ্āϝাāύেāϜāĻŽেāύ্āϟ āϏিāϏ্āϟেāĻŽ (āϏিāĻŦিāĻāĻŽāĻāϏ) āĻāϰ āĻŽাāϧ্āϝāĻŽে āύিāϜেāĻĻেāϰ āĻ…āϧিāĻ•াāϰāĻ­ুāĻ•্āϤ āϤাāϞিāĻ•া⧟ āĻāχāϚāĻāϏ āĻ•োāĻĄ āĻšাāϞāύাāĻ—াāĻĻ āĻ•āϰে āϏāϰ্āĻŦোāϚ্āϚ āĻĻুāχ āĻĻিāύেāϰ āĻŽāϧ্āϝেāχ āĻĒāĻŖ্āϝ āĻ›া⧜ āĻ•āϰাāϤে āĻĒাāϰāĻŦে।

āĻāύāĻŦিāφāϰ āϚে⧟াāϰāĻŽ্āϝাāύ āφāϰāĻ“ āϜাāύাāύ, āĻ•াāϏ্āϟāĻŽāϏ āĻŦāύ্āĻĄ āĻŦ্āϝāĻŦāϏ্āĻĨা āĻāĻ–āύ āĻĒুāϰোāĻĒুāϰি āϏ্āĻŦ⧟ংāĻ•্āϰি⧟ āĻšāĻ“ā§Ÿা⧟ āύিāϰ্āϧাāϰিāϤ āϏāĻŽā§Ÿেāϰ āĻŽāϧ্āϝেāχ āĻ āϧāϰāύেāϰ āϏংāĻļোāϧāύ āĻŦা āϏংāϝোāϜāύ āĻ•āϰা āϏāĻŽ্āĻ­āĻŦ āĻšāĻŦে।

āϏāϰাāϏāϰি āωāĻĒāĻ•ৃāϤ āĻšāĻŦে ā§Žā§Ģ āĻļāϤাংāĻļ āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•

āϰāĻĒ্āϤাāύি āωāύ্āύ⧟āύ āĻŦ্āϝুāϰোāϰ (āχāĻĒিāĻŦি) āϤāĻĨ্āϝ āĻ…āύুāϝা⧟ী, āϏāϰ্āĻŦāĻļেāώ ⧍ā§Ļ⧍ā§Ē-⧍ā§Ģ āĻ…āϰ্āĻĨāĻŦāĻ›āϰে āĻŦাংāϞাāĻĻেāĻļ āϰāĻĒ্āϤাāύি āĻ•āϰেāĻ›ে ā§Ēā§Ē.ā§Ēā§­ āĻŦিāϞি⧟āύ āĻĄāϞাāϰেāϰ āĻĒāĻŖ্āϝ।

āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ• āĻ“ āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āϏāĻ™্āĻ—ে āĻ•āĻĨা āĻŦāϞে āϜাāύা āĻ—েāĻ›ে, āϰāĻĒ্āϤাāύিāϰ āĻĒ্āϰা⧟ ā§Žā§Ģ āĻļāϤাংāĻļ āĻŦāύ্āĻĄ āϞাāχāϏেāύ্āϏāϧাāϰীāĻĻেāϰ āĻŽাāϧ্āϝāĻŽে āĻšā§Ÿে āϝাāĻ•ে, āϝাāϰ āĻŽāϧ্āϝে āĻ…āύ্āϝāϤāĻŽ āĻšāϞো āϤৈāϰি āĻĒোāĻļাāĻ• āĻ–াāϤ। āĻĻেāĻļে āĻŦāϰ্āϤāĻŽাāύে āϤিāύāϟি āĻ•াāϏ্āϟāĻŽāϏ āĻŦāύ্āĻĄ āĻ•āĻŽāĻļিāύাāϰেāϟ -āĻāϰ āφāĻ“āϤা⧟ āϏāĻ•্āϰি⧟ āĻŦāύ্āĻĄ āϞাāχāϏেāύ্āϏāϧাāϰী āĻĒ্āϰāϤিāώ্āĻ াāύ āϰ⧟েāĻ›ে āĻĒ্āϰা⧟ āĻĒাঁāϚ āĻšাāϜাāϰ।

āĻŦāύ্āĻĄ āϞাāχāϏেāύ্āϏāϧাāϰী āĻĒ্āϰāϤিāώ্āĻ াāύāĻ—ুāϞো āύিāϰ্āĻĻিāώ্āϟ āĻ—ুāĻĻাāĻŽে āϰেāĻ–ে āĻĒāĻŖ্āϝ āϤৈāϰি āĻ•āϰে āϰāĻĒ্āϤাāύিāϰ āĻļāϰ্āϤে āϏāĻŦ āϧāϰāĻŖেāϰ āĻ•াঁāϚাāĻŽাāϞ āĻ“ āĻāĻ•্āϏেāϏāϰিāϜ āĻļুāϞ্āĻ•āĻŽুāĻ•্āϤ āϏুāĻŦিāϧা⧟ āφāĻŽāĻĻাāύিāϰ āϏুāϝোāĻ— āĻĒা⧟; āϝাāϰ āωāĻĒāϰ ā§Šā§Ļ āĻĨেāĻ•ে ⧝ā§Ļ āĻļāϤাংāĻļ āĻŦা āϤাāϰāĻ“ āĻŦেāĻļি āĻšাāϰে āφāĻŽāĻĻাāύি āĻļুāϞ্āĻ• āĻĒ্āϰāϝোāϜ্āϝ। āϰāĻĒ্āϤাāύি āύা āĻ•āϰে āĻŦাāχāϰে āĻŦা āĻ–োāϞাāĻŦাāϜাāϰে āĻŦিāĻ•্āϰি āĻ•āϰāϤে āĻšāϞে āĻāχ āĻĒāϰিāĻŽাāĻŖ āĻļুāϞ্āĻ•āĻ•āϰ āĻĒāϰিāĻļোāϧ āĻ•āϰāϤে āĻšāĻŦে।

āĻ…āĻ­িāϝোāĻ— āϰ⧟েāĻ›ে, āĻŦāύ্āĻĄ āϏুāĻŦিāϧাāϰ āĻ…āĻĒāĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āĻ…āύেāĻ• āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ• āĻŦা āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•েāϰ āύাāĻŽ āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āĻ•িāĻ›ু āĻ•োāĻŽ্āĻĒাāύি āĻļুāϞ্āĻ•āĻŽুāĻ•্āϤ āϏুāĻŦিāϧা⧟ āĻ•াঁāϚাāĻŽাāϞ āφāĻŽāĻĻাāύি āĻ•āϰে āϤা āϏ্āĻĨাāύী⧟ āĻŦাāϜাāϰে āĻŦিāĻ•্āϰি āĻ•āϰে āĻĻে⧟। āĻāϤে āĻāĻ•āĻĻিāĻ•ে āϏāϰāĻ•াāϰ āϝেāĻŽāύ āϰাāϜāϏ্āĻŦ āĻšাāϰা⧟, āĻ…āύ্āϝāĻĻিāĻ•ে āĻāĻ•āχ āĻĒāĻŖ্āϝেāϰ āϏ্āĻĨাāύী⧟ āĻ‰ā§ŽāĻĒাāĻĻāύāĻ•াāϰীāϰা āĻ…āϏāĻŽ āĻĒ্āϰāϤিāϝোāĻ—িāϤাāϰ āĻŽুāĻ–ে āĻĒ⧜ে।

āĻŽূāϞāϤ āĻāϜāύ্āϝāχ āĻŦāύ্āĻĄেāĻĄ āĻĒāĻŖ্āϝেāϰ āφāĻŽāĻĻাāύিāϤে āĻ…āύি⧟āĻŽ āϰোāϧে āĻ•ā§œাāĻ•ā§œি āφāϰেāĻĒ āĻ•āϰে āĻĨাāĻ•ে āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āϤৃāĻĒāĻ•্āώ। āϤāĻŦে āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•āϰা āĻŦāϞāĻ›েāύ, āϝাāϰা āĻ…āύি⧟āĻŽ āĻ•āϰাāϰ— āϤাāϰা āĻ িāĻ•āχ āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āϏāĻ™্āĻ—ে āĻŽিāϞে āĻ…āύি⧟āĻŽ āĻ•āϰেāύ, āϤাāĻĻেāϰ āĻ•োāύāĻ“ āϏāĻŽāϏ্āϝা āĻšā§Ÿ āύা। āĻ•িāύ্āϤু āĻĒ্āϰāĻ•ৃāϤ āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•āϰা āĻšā§Ÿāϰাāύিāϰ āĻŽুāĻ–ে āĻĒ⧜েāύ।

āϤাāϰা āφāϰāĻ“ āϜাāύাāύ, āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āϚাāĻšিāĻĻা āĻ…āύুāϝা⧟ী āĻ…āϰ্āĻĨ āύা āĻĻিāϞে, āĻ•িংāĻŦা āĻ•োāύো āĻ•োāύো āĻ•্āώেāϤ্āϰে āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāϰা āϤাāĻĻেāϰ āĻ•āϰ্āϤৃāϤ্āĻŦ āĻĻেāĻ–াāύোāϰ āϜāύ্āϝ āĻ›োāϟāĻ–াāϟ āĻ­ুāϞেāϰ āϜāύ্āϝāĻ“ āĻĒ্āϰāĻ•ৃāϤ āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•āĻĻেāϰ āĻšā§Ÿāϰাāύিāϰ āĻŽুāĻ–ে āĻĢেāϞেāύ।

āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ•āϰা āĻšā§Ÿāϰাāύিāϰ āĻļিāĻ•াāϰ āĻšāύ āϝেāĻ­াāĻŦে

āĻŦāύ্āĻĄ āϞাāχāϏেāύ্āϏāϧাāϰী āĻĒ্āϰāϤিāώ্āĻ াāύāĻ—ুāϞো āϏাāϧাāϰāĻŖ āϰāĻĒ্āϤাāύি āφāĻĻেāĻļ āĻĒাāĻ“ā§Ÿাāϰ āĻĒāϰ āϝে āĻĒāϰিāĻŽাāĻŖ āĻ•াঁāϚাāĻŽাāϞ āĻ“ āĻāĻ•্āϏেāϏāϰিāϜ āĻĒ্āϰ⧟োāϜāύ āĻšāĻŦে, āϤা āϤাāĻĻেāϰ āύিāϜ āύিāϜ āĻ–াāϤেāϰ āĻŦ্āϝāĻŦāϏা⧟ী āϏāĻŽিāϤিāϰ āĻŽাāϧ্āϝāĻŽে āχāωāϟিāϞিāϟি āĻĄিāĻ•্āϞাāϰেāĻļāύ (āχāωāĻĄি) āĻŦা āφāĻŽāĻĻাāύিāϰ āĻĒ্āϰাāĻĒ্āϝāϤা āϘোāώāĻŖা āĻĻি⧟ে, āĻ“āχ āĻĒāϰিāĻŽাāĻŖ āĻ•াঁāϚাāĻŽাāϞ āφāĻŽāĻĻাāύি āĻ•āϰে āĻĨাāĻ•েāύ।

āϝেāĻ•োāύ āĻĒāĻŖ্āϝেāϰ āĻĒāϰিāϚিāϤিāϰ āϜāύ্āϝ āĻāχāϚāĻāϏ āĻ•োāĻĄ āĻŦ্āϝāĻŦāĻšাāϰ āĻšā§Ÿ, āϝাāϤে āφāϟ āĻĄিāϜিāϟ āĻĨাāĻ•ে। āĻāϰ āĻŽāϧ্āϝে āĻĒ্āϰāĻĨāĻŽ āϚাāϰ āϏংāĻ–্āϝা āĻĒāĻŖ্āϝেāϰ āĻļ্āϰেāĻŖিāĻŦিāύ্āϝাāϏেāϰ āϜāύ্āϝ, āĻ…āϰ্āĻĨাā§Ž āĻāϟি āĻ•াāĻĒ⧜, āϤুāϞা āύাāĻ•ি āĻŦোāϤাāĻŽ āϤা āĻŦোāĻাāϰ āϜāύ্āϝ। āĻĒāϰāĻŦāϰ্āϤী āϚাāϰ āϏংāĻ–্āϝা āĻšāϞো āĻĒāĻŖ্āϝেāϰ āĻļ্āϰেāĻŖিāĻ•ে āφāϰো āϏুāύিāϰ্āĻĻিāώ্āϟ āĻ•āϰাāϰ āϜāύ্āϝ, āĻ…āϰ্āĻĨাā§Ž āĻ•াāĻĒ⧜ āĻŦা āĻĢেāĻŦ্āϰিāĻ•েāϰ āĻ•্āώেāϤ্āϰে āĻ•োāύ āϧāϰāĻŖেāϰ āϏুāϤাāϰ āĻŽিāĻļ্āϰāĻŖ āĻ•āϤ āĻļāϤাংāĻļ āĻĨাāĻ•āĻŦে—āϏেāϟি āĻŦোāĻাāϰ āϜāύ্āϝ।

āϏাāϧাāϰāĻŖāϤ āĻļেāώāĻĻিāĻ•েāϰ āϏংāĻ–্āϝাāĻ—ুāϞো āύি⧟েāχ āĻŦ্āϝāĻŦāϏা⧟ীāĻĻেāϰ āϏāĻ™্āĻ—ে āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāĻĻেāϰ āĻŽāϤāĻŦিāϰোāϧ āĻšā§Ÿ।

āϏāĻŽ্āĻĒ্āϰāϤি āύাāϰা⧟āĻŖāĻ—āĻž্āϜ-āĻ­িāϤ্āϤিāĻ• āĻāĻ•āϟি āϰāĻĒ্āϤাāύিāĻ•াāϰāĻ• āĻĒ্āϰāϤিāώ্āĻ াāύেāϰ ā§¯ā§Ž āĻšাāϜাāϰ āĻĄāϞাāϰেāϰ āĻāĻ•āϟি āφāĻŽāĻĻাāύি āϚাāϞাāύ āφāϟāĻ•ে āĻĻেāύ āϚāϟ্āϟāĻ—্āϰাāĻŽ āĻ•াāϏ্āϟāĻŽāϏ āĻšাāωāϜেāϰ āĻ•āϰ্āĻŽāĻ•āϰ্āϤাāϰা, āĻāχāϚāĻāϏ āĻ•োāĻĄ āϏāĻ িāĻ• āύ⧟ āĻĻাāĻŦি āĻ•āϰে। āĻ—ā§œāĻŽিāϞ āĻ›িāϞ āφāϟ āĻĄিāϜিāϟেāϰ āĻļেāώ āĻĄিāϜিāϟে, āĻ…āϰ্āĻĨাā§Ž āφāĻŽāĻĻাāύিāĻ•াāϰāĻ• āĻāχāϚāĻāϏ āĻ•োāĻĄ āωāϞ্āϞেāĻ– āĻ•āϰেāĻ›েāύ ā§Ģā§Ēā§Ļā§Ž। āĻ•িāύ্āϤু āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āϤৃāĻĒāĻ•্āώ āĻŦāϞāϞো, āĻāϟা āĻšāĻŦে ā§Ģā§Ēā§Ļā§­।

āĻŦিāĻ•েāĻāĻŽāχāĻ-āϰ āϏāĻ­াāĻĒāϤি āĻŽোāĻšাāĻŽ্āĻŽāĻĻ āĻšাāϤেāĻŽ āϟিāĻŦিāĻāϏ-āĻ•ে āĻŦāϞেāύ, "āĻĻুāϟিāχ āĻŽ্āϝাāύ āĻŽেāĻĄ āĻĢাāχāĻŦাāϰ, āĻĢেāĻŦ্āϰিāĻ•ে āϤেāĻŽāύ āĻĒাāϰ্āĻĨāĻ•্āϝ āύেāχ। āĻāĻ•āϟি āĻĒāϞি⧟েāϏ্āϟাāϰ āϏ্āϟেāĻĒāϞ āĻĢিāϞাāĻŽেāύ্āϟ, āφāϰ āĻ…āύ্āϝāϟি āϰে⧟āύ āϏ্āϟেāĻĒāϞ āĻĢিāϞাāĻŽেāύ্āϟ। āĻ•াāϏ্āϟāĻŽāϏ āĻ•āϰ্āϤৃāĻĒāĻ•্āώ āϚাāχāϞে āĻ“āχ āϚাāϞাāύ āĻ›ে⧜ে āĻĻিāϤে āĻĒাāϰāϤেāύ, āĻ•াāϰāĻŖ āĻŦāύ্āĻĄ āϞাāχāϏেāύ্āϏ āĻāϰ āφāĻ“āϤা⧟ āĻ“āχ āĻĒāύ্āϝ āĻāϏেāĻ›ে – āϝেāĻšেāϤু āĻ āĻĨেāĻ•ে āĻ‰ā§ŽāĻĒাāĻĻিāϤ āĻĒāĻŖ্āϝ āϰāĻĒ্āϤাāύি āĻšāĻŦে। āĻ•িāύ্āϤু āϚাāϞাāύāϟি āφāϟāĻ•ে āϰাāĻ–া āĻšāϞো āĻĻুāχ āĻŽাāϏ।"

āĻ•াāϏ্āϟāĻŽāϏ āĻ•āĻŽিāĻļāύাāϰেāϰ āϏāĻ™্āĻ—ে āϝোāĻ—াāϝোāĻ—েāϰ āĻĒāϰāĻ“ āϚাāϞাāύ āĻ›াāĻĄ়া āĻšāϝ়āύি। āĻļেāώ āĻĒāϰ্āϝāύ্āϤ ⧍ā§Ļā§Ļ āĻļāϤাংāĻļ āϜāϰিāĻŽাāύা āϧাāϰ্āϝ āĻ•āϰা āĻšāϝ় — āĻ…āϰ্āĻĨাā§Ž ā§§ āĻ•োāϟি ā§§ā§Ļ āϞাāĻ– āϟাāĻ•াāϰ āϚাāϞাāύāĻ•ে ⧍ āĻ•োāϟি ⧍ā§Ļ āϞাāĻ– āϟাāĻ•াāϰ āϜāϰিāĻŽাāύাāϰ āĻŽুāĻ–ে āĻĢেāϞা āĻšāϝ়, āĻāĻŦং āĻĒুāϰো āĻ…āϰ্āĻĨ āĻĒāϰিāĻļোāϧেāϰ āĻļāϰ্āϤে āĻ›াāĻĄ় āĻĻেāĻ“āϝ়াāϰ āύিāϰ্āĻĻেāĻļ āĻĻেāϝ় āĻ•াāϏ্āϟāĻŽāϏ।

āĻāĻŽāύāĻ•ি āĻāύāĻŦিāφāϰ āϚেāϝ়াāϰāĻŽ্āϝাāύāĻ•ে āĻ…āĻŦāĻšিāϤ āĻ•āϰাāϰ āĻĒāϰ āĻĒুāύāϰ্āĻŦিāĻŦেāϚāύাāϰ āφāĻŦেāĻĻāύ āϜাāύাāύো āĻšāϞেāĻ“ āφāĻŽāĻĻাāύিāĻ•াāϰāĻ•āĻ•ে āϚāϟ্āϟāĻ—্āϰাāĻŽ āĻ•াāϏ্āϟāĻŽāϏ āĻ•āĻŽিāĻļāύাāϰেāϰ āϏāĻ™্āĻ—ে āĻĻেāĻ–া āĻ•āϰাāϰ āĻ…āύুāĻŽāϤি āĻĻেāĻ“āϝ়া āĻšāϝ়āύি। āĻĒāĻŖ্āϝāĻ—ুāϞো āφāϟāĻ•ে āĻĨাāĻ•ে। āĻļেāώāĻĒāϰ্āϝāύ্āϤ āĻšাāχāĻ•োāϰ্āϟে āϰিāϟ āĻ•āϰে āϏেāĻ–াāύ āĻĨেāĻ•ে āφāĻĻেāĻļ āύি⧟ে āĻ“āχ āĻ•াঁāϚাāĻŽাāϞ āĻ–াāϞাāϏ āĻ•āϰāϤে āĻšā§Ÿ āĻ•াāϰāĻ–াāύা āĻŽাāϞিāĻ•āĻ•ে।
āĻšাāϤেāĻŽ āĻŦāϞāϞেāύ, "āĻ“āχ āĻ…āϰ্āĻĄাāϰ āĻ…āϞāϰেāĻĄি āĻ•্āϝাāύ্āϏেāϞ āĻšā§Ÿে āĻ—েāĻ›ে।"

⧍ā§Ļ⧍⧍ āϏাāϞে āύিāϜেāϰ āĻāĻŽāύ āĻāĻ•āϟি āĻ…āĻ­িāϜ্āĻžāϤাāϰ āĻŦāϰ্āĻŖāύা āĻĻি⧟ে āϏ্āĻĒ্āϝাāϰো āĻ—্āϰুāĻĒেāϰ āĻļোāĻ­āύ āχāϏāϞাāĻŽ āĻŦāϞেāύ, "āφāĻŽāϰা āϝুāĻ•্āϤāϰাāϜ্āϝāĻ­িāϤ্āϤিāĻ• āĻŦাংāϞাāĻĻেāĻļেāϰ āĻļীāϰ্āώāϏ্āĻĨাāύী⧟ āĻāĻ•āϟি āĻŦ্āϰ্āϝাāύ্āĻĄ āĻāϰ āωāχāĻŽেāύ āϞিāύেāύ āĻĒ্āϝাāύ্āϟāϏ āĻāϰ āĻĒāĻŖ্āϝ āϤৈāϰি āĻ•āϰি। āĻŽ্āϝাāύ āĻŽেāĻĄ āĻĢাāχāĻŦাāϰেāϰ āĻŽিāĻļ্āϰāĻŖেāϰ āĻāĻ•āϟি āĻĢেāĻŦ্āϰিāĻ•েāϰ āϚাāϞাāύ āφāϟāĻ•ে āĻĻেāĻ“ā§Ÿা āĻšā§Ÿ āϏাāĻŽাāύ্āϝ āĻšেāϰāĻĢেāϰেāϰ āϜāύ্āϝ।

"āĻāϜāύ্āϝ āφāĻŽাāĻ•ে āĻĻে⧜ āĻŽাāϏ āϘুāϰāϤে āĻšā§ŸেāĻ›ে। āĻāĻŽāύāĻ•ি āĻŦ্āϝাংāĻ• āĻ—্āϝাāϰাāύ্āϟি āĻĻি⧟ে āĻ•āύāϏাāχāύāĻŽেāύ্āϟ āĻ•্āϞি⧟াāϰ āĻ•āϰāϤে āϚাāχāϞেāĻ“ āϤাāϰা āĻ…āύুāĻŽোāĻĻāύ āĻĻে⧟āύি" –āϜাāύি⧟ে āϤিāύি āĻŦāϞেāύ, "āĻāϰ āĻĢāϞে āĻŦ⧜ āĻ…āĻ™্āĻ•েāϰ āĻĒোāϰ্āϟ āĻĄেāĻŽাāϰেāϜ āĻāĻŦং āĻ•্āϰেāϤাāϰ āĻ•াāĻ›ে āĻ•্āϰেāĻĄিāĻŦিāϞিāϟি āύāώ্āϟ āĻšā§ŸেāĻ›ে।"

Friday, 11 April 2025

Garments Hand Book-āĻ—াāϰ্āĻŽেāύ্āϟāϏ āĻŽেāĻļিāύ āĻ…āĻĒাāϰেāĻļāύ āĻš্āϝাāύ্āĻĄāĻŦুāĻ•


āĻ—াāϰ্āĻŽেāύ্āϟāϏ āĻŽেāĻļিāύ āĻ…āĻĒাāϰেāĻļāύ āĻš্āϝাāύ্āĻĄāĻŦুāĻ•

Garments Hand Book-āĻ—াāϰ্āĻŽেāύ্āϟāϏ āĻŽেāĻļিāύ āĻ…āĻĒাāϰেāĻļāύ āĻš্āϝাāύ্āĻĄāĻŦুāĻ•। 

āĻāχ E-book āĻ “āĻ—াāϰ্āĻŽেāύ্āϟāϏ āĻŽেāĻļিāύ āĻ…āĻĒাāϰেāĻļāύ” āĻš্āϝাāύ্āĻĄāĻŦুāĻ•āϟিāϤে āϏংāĻ•্āώিāĻĒ্āϤ āĻ“ āϏāĻšāϜ āĻ­াāĻŦে āĻ—াāϰ্āĻŽেāύ্āϟāϏ āĻŽেāĻļিāύ āĻĒāϰিāϚাāϞāύাāϰ āĻĒāĻĻ্āϧāϤি āύি⧟ে āφāϞোāϚāύা āĻ•āϰা āĻšā§ŸেāĻ›ে। 

āϤৈāϰি āĻĒোāĻļাāĻ• āĻļিāϞ্āĻĒ āĻŦা Ready Made Garments (RMG)
āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āϜীāĻŦāύে āφāĻŽāϰা āĻĒ্āϰāϤ্āϝেāĻ•েāχ āĻŦিāĻ­িāύ⧜āĻŦ āϧāϰāύেāϰ āĻĒোāĻļাāĻ• āĻĒāϰিāϧাāύ āĻ•āϰে āĻĨাāĻ•ি। āĻāϏāĻŦ āĻĒোāĻļাāĻ• āĻ•াāĻĒ⧜ āĻĻি⧟ে āϤৈāϰি āĻ•āϰা । 
āĻšā§Ÿ। āĻĒোāĻļাāĻ• āĻļāĻŦ্āĻĻেāϰ āχংāϰেāϜি āĻšāϞো āĻ—াāϰ্āĻŽেāύ্āϟāϏ। āĻĒোāĻļাāĻ• āϤৈāϰিāϰ āĻ•াāĻĒ⧜āĻ•ে āχংāϰেāϜিāϤে āĻĢেāĻŦ্āϰিāĻ• āĻŦāϞা āĻšā§Ÿ। āĻŽাāĻĒ āĻŽāϤো āĻĢেāĻŦ্āϰিāĻ• āĻ•েāϟে āϏেāϞাāχ āĻ•āϰে āϤৈāϰি āĻ•āϰা āĻšā§Ÿ āĻĒোāĻļাāĻ•। āĻ—াāϰ্āĻŽেāύ্āϟāϏ āĻ•াāϰāĻ–াāύা āĻŦা āĻĢ্āϝাāĻ•্āϟāϰিāϤে āĻāϏāĻŦ āĻĒোāĻļাāĻ• āϤৈāϰি āĻ•āϰা āĻšā§Ÿ। āĻĒোāĻļাāĻ• āϤৈāϰিāϰ āĻāχ āĻ•াāϜāϟি āĻ…āύেāĻ• āĻŦিāϏ্āϤৃāϤ। āĻāϰ āϏাāĻĨে āϜ⧜ি⧟ে āφāĻ›ে āφāϧুāύিāĻ•āϤা, āϰুāϚি āĻ“ āĻĒ্āϰāϝুāĻ•্āϤি āϤাāχ āĻāχ āĻ•াāϜāĻ•ে āĻŦāϞা āĻšā§Ÿ āϤৈāϰি āĻĒোāĻļাāĻ• āĻļিāϞ্āĻĒ।

đŸ’ĸđŸ’ĸđŸ’ĸ āĻ—াāϰ্āĻŽেāύ্āϟāϏে āύāϤুāύ āϚাāĻ•āϰি āĻ•āϰāϤে āϝাāϚ্āĻ›েāύ āϤাāĻĻেāϰ āϜāύ্āϝ āĻāχ āĻŦāχāϟা āĻ–ুāĻŦāχ āωāĻĒāĻ•াāϰী āĻāĻŦং āϝাāϰা āĻŦāϰ্āϤāĻŽাāύে āĻ—াāϰ্āĻŽেāύ্āϟāϏে āϚাāĻ•āϰি āĻ•āϰāĻ›েāύ āϤাāĻĻেāϰ āϜ্āĻžাāύ āĻŦৃāĻĻ্āϧি āĻ•āϰাāϰ āϜāύ্āϝ, āĻĻāĻ•্āώāϤা āĻŦৃāĻĻ্āϧি āĻ•āϰাāϰ āϜāύ্āϝ āĻāχ āĻŦāχāϟা āĻ–ুāĻŦāχ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ। đŸ’ĸđŸ’ĸđŸ’ĸ










đŸ’Ŧ āĻ—াāϰ্āĻŽেāύ্āϟāϏ āĻŽেāĻļিāύ āĻ…āĻĒাāϰেāĻļāύ āĻš্āϝাāύ্āĻĄāĻŦুāĻ• - Garments Hand Book


Website: āĻ“āϝ়েāĻŦāϏাāχāϟ 

https://sites.google.com/view/garmentshandbook/home?authuser=1

Thursday, 3 April 2025

āϚাāĻ•āϰিāϰ āϏ্āϝাāϞাāϰি āύেāĻ—োāϏিāϝ়েāĻļāύ āĻ•িāĻ­াāĻŦে āĻ•āϰে

āϚাāĻ•āϰিāϰ āϏ্āϝাāϞাāϰি āύেāĻ—োāϏিāϝ়েāĻļāύ āĻ•িāĻ­াāĻŦে āĻ•āϰে 










📌 𝐆𝐚đĢđĻ𝐞𝐧𝐭đŦ 𝐓𝐞𝐱𝐭đĸđĨ𝐞 𝐉𝐨𝐛 𝐂đĸđĢ𝐜𝐮đĨ𝐚đĢ

✅ āφāĻŽাāĻĻেāϰ āĻĢেāϏāĻŦুāĻ• āĻ—্āϰুāĻĒে āϜ⧟েāύ āĻ•āϰুāύ:
https://www.facebook.com/groups/textilegarmentsjobscircular

✅ āφāϰāĻ“ āϚাāĻ•ুāϰীāϰ āĻ–āĻŦāϰ āĻĒেāϤে YouTube āϚ্āϝাāύেāϞ āϏাāĻŦāϏ্āĻ•্āϰাāχāĻŦ āĻ•āϰুāύ: https://youtube.com/@garmentstextilejobscircular

YouTube āϚ্āϝাāύেāϞ: Textile Garments Job Circular

āĻāχ āϚ্āϝাāύেāϞে āϟেāĻ•্āϏāϟাāχāϞ āĻ“ āĻ—াāϰ্āĻŽেāύ্āϟāϏ āĻļিāϞ্āĻĒেāϰ āĻŦিāĻ­িāύ্āύ āϚাāĻ•āϰিāϰ āϤāĻĨ্āϝ āĻļে⧟াāϰ āĻ•āϰা āĻšā§Ÿ। āĻāĻ–াāύে āĻĒ্āϰāĻ•াāĻļিāϤ āϏāĻ•āϞ āϜāĻŦ āϏাāϰ্āĻ•ুāϞাāϰ āϝাāϚাāχ āĻ•āϰে āφāĻŦেāĻĻāύāĻ•াāϰীāĻĻেāϰ āύিāϜ āĻĻাāϝ়িāϤ্āĻŦে āφāĻŦেāĻĻāύ āĻ•āϰāϤে āĻšāĻŦে।

⚠āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āύিāϰ্āĻĻেāĻļāύা:

🔧 āĻ•োāύো āϧāϰāύেāϰ āϟাāĻ•া-āĻĒ⧟āϏাāϰ āϞেāύāĻĻেāύ āĻŦা āĻĻাāϞাāϞেāϰ āĻŽাāϧ্āϝāĻŽে āφāĻŦেāĻĻāύ āĻ•āϰāĻŦেāύ āύা।

🔧 āϚাāĻ•āϰিāϰ āϜāύ্āϝ āφāĻŦেāĻĻāύ āϏāĻŽ্āĻĒূāϰ্āĻŖ āφāĻĒāύাāϰ āύিāϜ āĻĻা⧟িāϤ্āĻŦে āĻ•āϰāϤে āĻšāĻŦে।

🔧 āφāĻŽāϰা āĻļুāϧুāĻŽাāϤ্āϰ āϚাāĻ•āϰিāϰ āϤāĻĨ্āϝ āĻļে⧟াāϰ āĻ•āϰি, āĻ•োāύো āύি⧟োāĻ— āĻĒ্āϰāĻ•্āϰি⧟াāϰ āϏāĻ™্āĻ—ে āϝুāĻ•্āϤ āύāχ।


⚡āϏāϤāϰ্āĻ• āĻĨাāĻ•ুāύ, āύিāϜ āĻĻা⧟িāϤ্āĻŦে āϏিāĻĻ্āϧাāύ্āϤ āύিāύ!

🔹 āφāĻŽাāĻĻেāϰ āϏ্āϞোāĻ—াāύ: "𝑱𝒐𝒃 𝒊𝒏𝒇𝒐 – 𝑷𝒓𝒐𝒗𝒊𝒅𝒆 𝒀𝒐𝒖𝒓𝒔𝒆𝒍𝒇."